Back End of Days Save as PDF
Chapters (79)
  1. About the Author
  2. Title Page
  3. Imprint Page
  4. Dedication
  5. Contents
  6. Chapter 1
  7. Chapter 2
  8. Chapter 3
  9. Chapter 4
  10. Chapter 5
  11. Chapter 6
  12. Chapter 7
  13. Chapter 8
  14. Chapter 9
  15. Chapter 10
  16. Chapter 11
  17. Chapter 12
  18. Chapter 13
  19. Chapter 14
  20. Chapter 15
  21. Chapter 16
  22. Chapter 17
  23. Chapter 18
  24. Chapter 19
  25. Chapter 20
  26. Chapter 21
  27. Chapter 22
  28. Chapter 23
  29. Chapter 24
  30. Chapter 25
  31. Chapter 26
  32. Chapter 27
  33. Chapter 28
  34. Chapter 29
  35. Chapter 30
  36. Chapter 31
  37. Chapter 32
  38. Chapter 33
  39. Chapter 34
  40. Chapter 35
  41. Chapter 36
  42. Chapter 37
  43. Chapter 38
  44. Chapter 39
  45. Chapter 40
  46. Chapter 41
  47. Chapter 42
  48. Chapter 43
  49. Chapter 44
  50. Chapter 45
  51. Chapter 46
  52. Chapter 47
  53. Chapter 48
  54. Chapter 49
  55. Chapter 50
  56. Chapter 51
  57. Chapter 52
  58. Chapter 53
  59. Chapter 54
  60. Chapter 55
  61. Chapter 56
  62. Chapter 57
  63. Chapter 58
  64. Chapter 59
  65. Chapter 60
  66. Chapter 61
  67. Chapter 62
  68. Chapter 63
  69. Chapter 64
  70. Chapter 65
  71. Chapter 66
  72. Chapter 67
  73. Chapter 68
  74. Chapter 69
  75. Chapter 70
  76. Epilogue
  77. Acknowledgements
  78. Find out More about Susan Ee
  79. Find out More about Hodder and Chapter 5

Then, just when I can’t stand the sadness anymore, a dancer floats out from the side of the stage. A dancer in ragged clothes, filthy and half starved. He’s not even in ballet shoes. He’s just barefoot as he glides out to take his place in the dance.

The other dancers turn to him, and it’s clear that he is one of them. One of the lost ones. By the look on their faces, they weren’t expecting him. This is not part of the practiced show. He must have seen them onstage and joined in.

Amazingly, the dance continues without a missed beat. The newcomer simply glides into place, and the final dancer who should have danced solo with her missing partner dances with the newcomer.

It is full of joy, and the ballerina actually laughs. Her voice is clear and high, and it lifts us all.

Chapter 58

58

When the performance is done, the crowd goes wild with their cheers. There is total abandon with their clapping, whistling, and shouts of bravos.

It’s amazing.

I’ve never felt so moved by a performance before. It’s not like I’ve been to a lot of ballets or any other live performance at all. But the sense of camaraderie here tonight leaves me breathless.

Like true professionals, the dance troupe takes its bow first before the dancers converge on the newcomer onstage. The hugs, the tears, the cries of joy are a wonder to see.

Then they spread out into a line, hold hands, and bow again. Everyone is up on their feet, and none of us worry about the noise we’re making or what we might bring upon ourselves.

The twins are right. This is life.

No one can really top that ballet performance, and I assume no one will try. Everyone seems happy to have been a part of it.

The twins get up onstage to clown around and entertain people. I’m guessing they’re giving people time to absorb what they just saw so that someone else can get up the nerve to perform. They do a magic act that’s almost professional. They fumble a few times, but I know they’re doing that for comedic effect, because I’ve seen their work and it’s amazing, as good as any professional stage magician.

After that, a young guy walks up onstage carrying a battered guitar. He looks like he hasn’t had a shower in days, his face is covered in scruff, and his shirt has a splatter of dried blood.

‘This is a song sung by the late, great Jeff Buckley called “Hallelujah.”’ He begins strumming his guitar, and he quietly transforms into someone who I’m sure would have been a celebrity at any other time.