Chapters (79)
- About the Author
- Title Page
- Imprint Page
- Dedication
- Contents
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 16
- Chapter 17
- Chapter 18
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- Chapter 33
- Chapter 34
- Chapter 35
- Chapter 36
- Chapter 37
- Chapter 38
- Chapter 39
- Chapter 40
- Chapter 41
- Chapter 42
- Chapter 43
- Chapter 44
- Chapter 45
- Chapter 46
- Chapter 47
- Chapter 48
- Chapter 49
- Chapter 50
- Chapter 51
- Chapter 52
- Chapter 53
- Chapter 54
- Chapter 55
- Chapter 56
- Chapter 57
- Chapter 58
- Chapter 59
- Chapter 60
- Chapter 61
- Chapter 62
- Chapter 63
- Chapter 64
- Chapter 65
- Chapter 66
- Chapter 67
- Chapter 68
- Chapter 69
- Chapter 70
- Epilogue
- Acknowledgements
- Find out More about Susan Ee
- Find out More about Hodder and Chapter 5
Then, just when I can’t stand the sadness anymore, a dancer floats out from the side of the stage. A dancer in ragged clothes, filthy and half starved. He’s not even in ballet shoes. He’s just barefoot as he glides out to take his place in the dance.
The other dancers turn to him, and it’s clear that he is one of them. One of the lost ones. By the look on their faces, they weren’t expecting him. This is not part of the practiced show. He must have seen them onstage and joined in.
Amazingly, the dance continues without a missed beat. The newcomer simply glides into place, and the final dancer who should have danced solo with her missing partner dances with the newcomer.
It is full of joy, and the ballerina actually laughs. Her voice is clear and high, and it lifts us all.
Chapter 58
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When the performance is done, the crowd goes wild with their cheers. There is total abandon with their clapping, whistling, and shouts of bravos.
It’s amazing.
I’ve never felt so moved by a performance before. It’s not like I’ve been to a lot of ballets or any other live performance at all. But the sense of camaraderie here tonight leaves me breathless.
Like true professionals, the dance troupe takes its bow first before the dancers converge on the newcomer onstage. The hugs, the tears, the cries of joy are a wonder to see.
Then they spread out into a line, hold hands, and bow again. Everyone is up on their feet, and none of us worry about the noise we’re making or what we might bring upon ourselves.
The twins are right. This is life.
No one can really top that ballet performance, and I assume no one will try. Everyone seems happy to have been a part of it.
The twins get up onstage to clown around and entertain people. I’m guessing they’re giving people time to absorb what they just saw so that someone else can get up the nerve to perform. They do a magic act that’s almost professional. They fumble a few times, but I know they’re doing that for comedic effect, because I’ve seen their work and it’s amazing, as good as any professional stage magician.
After that, a young guy walks up onstage carrying a battered guitar. He looks like he hasn’t had a shower in days, his face is covered in scruff, and his shirt has a splatter of dried blood.
‘This is a song sung by the late, great Jeff Buckley called “Hallelujah.”’ He begins strumming his guitar, and he quietly transforms into someone who I’m sure would have been a celebrity at any other time.