Back End of Days Save as PDF
Chapters (79)
  1. About the Author
  2. Title Page
  3. Imprint Page
  4. Dedication
  5. Contents
  6. Chapter 1
  7. Chapter 2
  8. Chapter 3
  9. Chapter 4
  10. Chapter 5
  11. Chapter 6
  12. Chapter 7
  13. Chapter 8
  14. Chapter 9
  15. Chapter 10
  16. Chapter 11
  17. Chapter 12
  18. Chapter 13
  19. Chapter 14
  20. Chapter 15
  21. Chapter 16
  22. Chapter 17
  23. Chapter 18
  24. Chapter 19
  25. Chapter 20
  26. Chapter 21
  27. Chapter 22
  28. Chapter 23
  29. Chapter 24
  30. Chapter 25
  31. Chapter 26
  32. Chapter 27
  33. Chapter 28
  34. Chapter 29
  35. Chapter 30
  36. Chapter 31
  37. Chapter 32
  38. Chapter 33
  39. Chapter 34
  40. Chapter 35
  41. Chapter 36
  42. Chapter 37
  43. Chapter 38
  44. Chapter 39
  45. Chapter 40
  46. Chapter 41
  47. Chapter 42
  48. Chapter 43
  49. Chapter 44
  50. Chapter 45
  51. Chapter 46
  52. Chapter 47
  53. Chapter 48
  54. Chapter 49
  55. Chapter 50
  56. Chapter 51
  57. Chapter 52
  58. Chapter 53
  59. Chapter 54
  60. Chapter 55
  61. Chapter 56
  62. Chapter 57
  63. Chapter 58
  64. Chapter 59
  65. Chapter 60
  66. Chapter 61
  67. Chapter 62
  68. Chapter 63
  69. Chapter 64
  70. Chapter 65
  71. Chapter 66
  72. Chapter 67
  73. Chapter 68
  74. Chapter 69
  75. Chapter 70
  76. Epilogue
  77. Acknowledgements
  78. Find out More about Susan Ee
  79. Find out More about Hodder and Chapter 5

There’s a stunned silence as everyone takes a moment to make sure they heard right.

‘Yup, you heard that right, folks,’ says Dee. ‘The San Francisco Ballet is here to perform for you tonight, you lucky dogs.’

‘I told you we had talent on the streets,’ says Dum.

Three women in ballet tutus and four men in matching pink tights come out onstage. They walk with the grace of professional ballet dancers. One of the ballerinas walks up to Dee as the others get into their ready stances. She takes the mic and stands in the center of the stage until everyone quiets down.

‘We are what’s left of the San Francisco Ballet. A couple of months ago, there were over seventy of us. When the world collapsed, many of us didn’t know what to do. Like you, we stayed with our families and tried to find the ones we loved.

‘But for us dancers, the ballet company is our family, and so we searched among the rubble of our theater and dance studio for those of us who fell. In the end, twelve of us found each other, but not all of us made it this far.

‘This dance is the one we were practicing on the day the world ended. This one is dedicated to the members of our family who are not here today.’ Her voice is clear and strong. It carries through the crowd like the wind caressing our necks.

The ballerina gives the mic back to Dee and steps into position. The dancers take what looks like random places in a line. I can almost fill in the rest of the line in my mind with the other dancers who are not here tonight.

The music begins, and the lights follow the dancers as they leap and pirouette across the stage. It’s a strange yet graceful postmodern kind of a dance with most of the performers missing.

There’s a move where a pair of dancers – a man and a woman – come up to center stage and dance together while the rest stand back and float in the air on their toes. Their motions are graceful and romantic.

Then a dancer comes forward to replace the pair. It’s clear by the empty air between the dancer’s arms and the sad line of his body that his partner is missing. He dances his part of the duet with empty arms.

After him, the remaining dancers come up to dance – one by one, dancing with a ghost partner.

They caress the air where the face of their partner would have been. They spin and land on the floor with their arms stretched out in longing.

Alone in a world of misery.

I watch the beautiful performance with an ache in my chest.