Back Embers of War
Chapters (85)
  1. Cover
  2. Also by Gareth L. Powell and available from Titan Books
  3. Title Page
  4. Copyright
  5. Dedication
  6. Prologue: Pelapatarn
  7. Part One: Three Years Later
  8. One: Sal Konstanz
  9. Two: Ona Sudak
  10. Three: Ashton Childe
  11. Four: Sal Konstanz
  12. Five: Trouble Dog
  13. Six: Sal Konstanz
  14. Seven: Ashton Childe
  15. Eight: Sal Konstanz
  16. Nine: Sal Konstanz
  17. Ten: Trouble Dog
  18. Eleven: Ona Sudak
  19. Twelve: Sal Konstanz
  20. Thirteen: Trouble Dog
  21. Fourteen: Nod
  22. Fifteen: Sal Konstanz
  23. Sixteen: Ona Sudak
  24. Seventeen: Sal Konstanz
  25. Eighteen: Ashton Childe
  26. Nineteen: Ona Sudak
  27. Twenty: Sal Konstanz
  28. Twenty-One: Ashton Childe
  29. Twenty-Two: Trouble Dog
  30. Twenty-Three: Ona Sudak
  31. Twenty-Four: Sal Konstanz
  32. Twenty-Five: Trouble Dog
  33. Twenty-Six: Ashton Childe
  34. Twenty-Seven: Trouble Dog
  35. Twenty-Eight: Nod
  36. Twenty-Nine: Ona Sudak
  37. Thirty: Sal Konstanz
  38. Thirty-One: Nod
  39. Thirty-Two: Ona Sudak
  40. Thirty-Three: Sal Konstanz
  41. Thirty-Four: Nod
  42. Thirty-Five: Ashton Childe
  43. Thirty-Six: Sal Konstanz
  44. Thirty-Seven: Ona Sudak
  45. Thirty-Eight: Ashton Childe
  46. Thirty-Nine: Ona Sudak
  47. Forty: Trouble Dog
  48. Forty-One: Sal Konstanz
  49. Part Two: The Marble Armada
  50. Forty-Two: Ona Sudak
  51. Forty-Three: Sal Konstanz
  52. Forty-Four: Nod
  53. Forty-Five: Trouble Dog
  54. Forty-Six: Sal Konstanz
  55. Forty-Seven: Ashton Childe
  56. Forty-Eight: Trouble Dog
  57. Forty-Nine: Sal Konstanz
  58. Fifty: Nod
  59. Fifty-One: Ashton Childe
  60. Fifty-Two: Ona Sudak
  61. Fifty-Three: Trouble Dog
  62. Fifty-Four: Ona Sudak
  63. Fifty-Five: Sal Konstanz
  64. Fifty-Six: Ashton Childe
  65. Fifty-Seven: Ona Sudak
  66. Fifty-Eight: Trouble Dog
  67. Fifty-Nine: Sal Konstanz
  68. Sixty: Ashton Childe
  69. Sixty-One: Ona Sudak
  70. Sixty-Two: Sal Konstanz
  71. Sixty-Three: Ona Sudak
  72. Sixty-Four: Nod
  73. Sixty-Five: Trouble Dog
  74. Sixty-Six: Ashton Childe
  75. Sixty-Seven: Sal Konstanz
  76. Sixty-Eight: Trouble Dog
  77. Sixty-Nine: Sal Konstanz
  78. Seventy: Sal Konstanz
  79. Seventy-One: Ashton Childe
  80. Seventy-Two: Trouble Dog
  81. Seventy-Three: The Marble Armada
  82. Seventy-Four: Nod
  83. Acknowledgements
  84. About the Author
  85. Also Available from Titan Books

The Geest van Amsterdam hadn’t wanted to linger in the Gallery a moment longer than necessary, but the other passengers and I wanted to get a closer look at the Objects, and we had been most insistent. Quite apart from the fact that the Gallery lay in a disputed tract of space, the ’dam had its itinerary to consider, and strict adherence to schedule had always been a matter of much pride among such vessels. Nevertheless, when Captain Benton finally interceded on our behalf, the ship reluctantly agreed to extend our presence in the system long enough to perform a close flyby of the Brain, the Inverted City, and the Dodecahedron.

We were overjoyed. Like most of humanity, I had only seen second-hand footage of the Objects, so the chance to see three of them with my own eyes seemed like the kind of opportunity that strikes only once in a lifetime—the kind of experience one might relate to a grandchild. When the ship made its announcement, I was delighted by its concession. After seven weeks of careful flirtation, I had finally allowed myself to be seduced by the young poet Adam Leroux, who had been pursuing me with a gauche and tragic fervour for the duration of the cruise, and I looked forward to viewing the mysterious sculptures in the company of my youthful paramour. I wanted to see them through his eyes. His delight would be purer and more childlike than anything I felt capable of mustering, and I would use it in the poem I intended to write about the encounter, recycling his sense of innocent wonder as my own.

* * *

Adam was eighteen and a half years old, with the gangly awkwardness of an adolescent, yet he affected a world-weary disdain for what he termed the “mundanity of ordinary existence”. He had been born and raised on the ’dam, and had seen many worlds during his short life—but mostly through the windows and view screens of his suite. He had little experience beyond the safe environs of the ship, and even less experience of women. He was very different to the men I had known, and I guess that novelty was one of the things about him that attracted me. It certainly wasn’t his poetry, which was execrable, full of extremity and unnecessary drama and lacking the subtlety an older mind might have brought to its subjects. Had the cruise been shorter, I would never have allowed him into my bed.

Even now, wallowing in the warm water, I wasn’t sure I hadn’t made an embarrassing mistake. He was so much younger than me, for a start; and he wanted me to teach him everything I knew about poetry.

I could have done that in about half an hour.