Back Embers of War Save as PDF
Chapters (85)
  1. Cover
  2. Also by Gareth L. Powell and available from Titan Books
  3. Title Page
  4. Copyright
  5. Dedication
  6. Prologue: Pelapatarn
  7. Part One: Three Years Later
  8. One: Sal Konstanz
  9. Two: Ona Sudak
  10. Three: Ashton Childe
  11. Four: Sal Konstanz
  12. Five: Trouble Dog
  13. Six: Sal Konstanz
  14. Seven: Ashton Childe
  15. Eight: Sal Konstanz
  16. Nine: Sal Konstanz
  17. Ten: Trouble Dog
  18. Eleven: Ona Sudak
  19. Twelve: Sal Konstanz
  20. Thirteen: Trouble Dog
  21. Fourteen: Nod
  22. Fifteen: Sal Konstanz
  23. Sixteen: Ona Sudak
  24. Seventeen: Sal Konstanz
  25. Eighteen: Ashton Childe
  26. Nineteen: Ona Sudak
  27. Twenty: Sal Konstanz
  28. Twenty-One: Ashton Childe
  29. Twenty-Two: Trouble Dog
  30. Twenty-Three: Ona Sudak
  31. Twenty-Four: Sal Konstanz
  32. Twenty-Five: Trouble Dog
  33. Twenty-Six: Ashton Childe
  34. Twenty-Seven: Trouble Dog
  35. Twenty-Eight: Nod
  36. Twenty-Nine: Ona Sudak
  37. Thirty: Sal Konstanz
  38. Thirty-One: Nod
  39. Thirty-Two: Ona Sudak
  40. Thirty-Three: Sal Konstanz
  41. Thirty-Four: Nod
  42. Thirty-Five: Ashton Childe
  43. Thirty-Six: Sal Konstanz
  44. Thirty-Seven: Ona Sudak
  45. Thirty-Eight: Ashton Childe
  46. Thirty-Nine: Ona Sudak
  47. Forty: Trouble Dog
  48. Forty-One: Sal Konstanz
  49. Part Two: The Marble Armada
  50. Forty-Two: Ona Sudak
  51. Forty-Three: Sal Konstanz
  52. Forty-Four: Nod
  53. Forty-Five: Trouble Dog
  54. Forty-Six: Sal Konstanz
  55. Forty-Seven: Ashton Childe
  56. Forty-Eight: Trouble Dog
  57. Forty-Nine: Sal Konstanz
  58. Fifty: Nod
  59. Fifty-One: Ashton Childe
  60. Fifty-Two: Ona Sudak
  61. Fifty-Three: Trouble Dog
  62. Fifty-Four: Ona Sudak
  63. Fifty-Five: Sal Konstanz
  64. Fifty-Six: Ashton Childe
  65. Fifty-Seven: Ona Sudak
  66. Fifty-Eight: Trouble Dog
  67. Fifty-Nine: Sal Konstanz
  68. Sixty: Ashton Childe
  69. Sixty-One: Ona Sudak
  70. Sixty-Two: Sal Konstanz
  71. Sixty-Three: Ona Sudak
  72. Sixty-Four: Nod
  73. Sixty-Five: Trouble Dog
  74. Sixty-Six: Ashton Childe
  75. Sixty-Seven: Sal Konstanz
  76. Sixty-Eight: Trouble Dog
  77. Sixty-Nine: Sal Konstanz
  78. Seventy: Sal Konstanz
  79. Seventy-One: Ashton Childe
  80. Seventy-Two: Trouble Dog
  81. Seventy-Three: The Marble Armada
  82. Seventy-Four: Nod
  83. Acknowledgements
  84. About the Author
  85. Also Available from Titan Books

Thanks to the skill of her crew, the Geest van Amsterdam had put down on the nearest habitable surface: the etched terrain of the Object known as the Brain. Already cratered and on fire in a dozen locations, this final, grinding collision had been enough to shatter her spine, snapping her all along her length, scattering flaming debris into the sculpture’s nested chasms and crevasses. Happily for me, the human sections—which were designed to withstand such abuse—fared better than the ship’s more utilitarian modules; and yet very few of the passengers and crew seemed to have survived. My particular segment, the cylindrical, donut-shaped fragment based around the deep airshaft at its centre, seemed to have become wedged between the walls of a ravine.

As I’d hoped, the infirmary had provided me with pain meds and clothing, in the form of an injection and a set of green surgeon’s scrubs. Now, as I scrambled through the downed ship, I passed a lot of dead bodies. Some had died from the initial impact, some from the resulting conflagrations and breakdowns, and the rest from the force of our landing. With the gravity off, they had been hurled against walls and furniture. They lay alone and in untidy heaps; some were little more than smashed and twisted splatters of blood and gore, while others remained almost miraculously untouched, their cause of death unknown.

At length, I came to a torn section of the external hull. Clambering through the narrow and jagged opening, I dropped a couple of metres to the smooth floor of the gorge. My damaged arm flared in protest and the colour drained from my vision. When it returned, I found myself on my back, looking up at an impossible weight suspended above my head. The accommodation section—roughly the size and weight of a medium-sized village—lay jammed between walls five hundred metres apart and at least four times that in height. It was only good fortune it had come to rest within a couple of metres of the bottom rather than a kilometre or two higher up. If it had, I would have found myself stranded up there, unable to jump to the ground.

Feeling no overwhelming need to hurry, I remained prone. Chunks of debris littered the floor around me, some the size of boulders and houses. Among—and crushed under—them lay the bodies of my fellow passengers. Some were obviously dead, others simply motionless. A few stirred; some were even mobile. None seemed to be questioning how or why they were able to breathe comfortably. Perhaps it simply didn’t occur to them to ask, or maybe they were afraid to. Most were probably still in shock from the crash.