Back Embers of War Save as PDF
Chapters (85)
  1. Cover
  2. Also by Gareth L. Powell and available from Titan Books
  3. Title Page
  4. Copyright
  5. Dedication
  6. Prologue: Pelapatarn
  7. Part One: Three Years Later
  8. One: Sal Konstanz
  9. Two: Ona Sudak
  10. Three: Ashton Childe
  11. Four: Sal Konstanz
  12. Five: Trouble Dog
  13. Six: Sal Konstanz
  14. Seven: Ashton Childe
  15. Eight: Sal Konstanz
  16. Nine: Sal Konstanz
  17. Ten: Trouble Dog
  18. Eleven: Ona Sudak
  19. Twelve: Sal Konstanz
  20. Thirteen: Trouble Dog
  21. Fourteen: Nod
  22. Fifteen: Sal Konstanz
  23. Sixteen: Ona Sudak
  24. Seventeen: Sal Konstanz
  25. Eighteen: Ashton Childe
  26. Nineteen: Ona Sudak
  27. Twenty: Sal Konstanz
  28. Twenty-One: Ashton Childe
  29. Twenty-Two: Trouble Dog
  30. Twenty-Three: Ona Sudak
  31. Twenty-Four: Sal Konstanz
  32. Twenty-Five: Trouble Dog
  33. Twenty-Six: Ashton Childe
  34. Twenty-Seven: Trouble Dog
  35. Twenty-Eight: Nod
  36. Twenty-Nine: Ona Sudak
  37. Thirty: Sal Konstanz
  38. Thirty-One: Nod
  39. Thirty-Two: Ona Sudak
  40. Thirty-Three: Sal Konstanz
  41. Thirty-Four: Nod
  42. Thirty-Five: Ashton Childe
  43. Thirty-Six: Sal Konstanz
  44. Thirty-Seven: Ona Sudak
  45. Thirty-Eight: Ashton Childe
  46. Thirty-Nine: Ona Sudak
  47. Forty: Trouble Dog
  48. Forty-One: Sal Konstanz
  49. Part Two: The Marble Armada
  50. Forty-Two: Ona Sudak
  51. Forty-Three: Sal Konstanz
  52. Forty-Four: Nod
  53. Forty-Five: Trouble Dog
  54. Forty-Six: Sal Konstanz
  55. Forty-Seven: Ashton Childe
  56. Forty-Eight: Trouble Dog
  57. Forty-Nine: Sal Konstanz
  58. Fifty: Nod
  59. Fifty-One: Ashton Childe
  60. Fifty-Two: Ona Sudak
  61. Fifty-Three: Trouble Dog
  62. Fifty-Four: Ona Sudak
  63. Fifty-Five: Sal Konstanz
  64. Fifty-Six: Ashton Childe
  65. Fifty-Seven: Ona Sudak
  66. Fifty-Eight: Trouble Dog
  67. Fifty-Nine: Sal Konstanz
  68. Sixty: Ashton Childe
  69. Sixty-One: Ona Sudak
  70. Sixty-Two: Sal Konstanz
  71. Sixty-Three: Ona Sudak
  72. Sixty-Four: Nod
  73. Sixty-Five: Trouble Dog
  74. Sixty-Six: Ashton Childe
  75. Sixty-Seven: Sal Konstanz
  76. Sixty-Eight: Trouble Dog
  77. Sixty-Nine: Sal Konstanz
  78. Seventy: Sal Konstanz
  79. Seventy-One: Ashton Childe
  80. Seventy-Two: Trouble Dog
  81. Seventy-Three: The Marble Armada
  82. Seventy-Four: Nod
  83. Acknowledgements
  84. About the Author
  85. Also Available from Titan Books

Having left Camrose and jumped towards our destination, I found myself swirled in nothingness. I felt the wind (which is not wind) against my hull, heard the electromagnetic snarl of the universe stretched and amplified. Ships called to each other in distant systems, and I heard their echoes like whale song beneath the arctic ice. Stars roared like blowtorch flames. And I tore through the mists like a skydiver, bursting with the joy that came from fulfilling my purpose.

A tool or a weapon lives only in the moment in which it is used. As I no longer waged war, I now existed for these instants, when I leapt from the universe, describing a glittering arc through the blank void, trusting only that my calculations would catch me and bring me safely to my destination.

Ships that botched their calculations or jumped with faulty engines seldom re-emerged from higher-space. I had known a few during the war: good ships who’d taken desperate gambles to preserve themselves and their crews, only to disappear forever, irretrievably lost in the fog.

In the human-habitable torus around my waist, the crew turned off their external screens. The limbo-like nothingness of the higher dimensions bothered them on a deep, instinctive level. Exposed to it for too long, their mammalian brains were prone to imagining sabre-toothed shadows lurking in the mist beyond the cave mouth. Millions of years of evolution had conditioned them to see patterns, to pick the outline of a skulking predator from a confusion of foliage. Faced with the utter vacuity of higher-space, that same instinct flared impulsively, conceiving arrangements and dangers where none existed.

Understandably, I had been designed to be immune to such considerations. My view of the void around me contained nothing fanciful or illusory. The only threats tagged by my targeting computers were those that could be independently verified by my other sensors. During the war, one of my lieutenants had been fond of quoting Nietzsche. But when I gazed into this abyss, I saw only an absence; and if the abyss gazed back at me, I remained unaware of its attentions.

Instead, I let my mind drift, thinking of the war and my lost sisters.

* * *

As a civilisation, the Conglomeration claimed descent from the capitalist Anglo-American culture that flourished around the margins of the Atlantic Ocean in the centuries before the Great Dispersal, a culture that had in turn borrowed many of its ideals and foundations from the classical Greco-Roman empires of the Mediterranean Basin. While not as large or powerful as some human societies within the Generality, the Conglomeration was at least one of the most ethnically and culturally diverse, able to number among their citizenry representatives of every Terran race and creed—although this diversity owed more to the enslavements of the eighteenth and nineteenth centuries, and the wars and migrations of the twentieth and twenty-first, than it did to any conscious policy of inclusion.