Back Embers of War
Chapters (85)
  1. Cover
  2. Also by Gareth L. Powell and available from Titan Books
  3. Title Page
  4. Copyright
  5. Dedication
  6. Prologue: Pelapatarn
  7. Part One: Three Years Later
  8. One: Sal Konstanz
  9. Two: Ona Sudak
  10. Three: Ashton Childe
  11. Four: Sal Konstanz
  12. Five: Trouble Dog
  13. Six: Sal Konstanz
  14. Seven: Ashton Childe
  15. Eight: Sal Konstanz
  16. Nine: Sal Konstanz
  17. Ten: Trouble Dog
  18. Eleven: Ona Sudak
  19. Twelve: Sal Konstanz
  20. Thirteen: Trouble Dog
  21. Fourteen: Nod
  22. Fifteen: Sal Konstanz
  23. Sixteen: Ona Sudak
  24. Seventeen: Sal Konstanz
  25. Eighteen: Ashton Childe
  26. Nineteen: Ona Sudak
  27. Twenty: Sal Konstanz
  28. Twenty-One: Ashton Childe
  29. Twenty-Two: Trouble Dog
  30. Twenty-Three: Ona Sudak
  31. Twenty-Four: Sal Konstanz
  32. Twenty-Five: Trouble Dog
  33. Twenty-Six: Ashton Childe
  34. Twenty-Seven: Trouble Dog
  35. Twenty-Eight: Nod
  36. Twenty-Nine: Ona Sudak
  37. Thirty: Sal Konstanz
  38. Thirty-One: Nod
  39. Thirty-Two: Ona Sudak
  40. Thirty-Three: Sal Konstanz
  41. Thirty-Four: Nod
  42. Thirty-Five: Ashton Childe
  43. Thirty-Six: Sal Konstanz
  44. Thirty-Seven: Ona Sudak
  45. Thirty-Eight: Ashton Childe
  46. Thirty-Nine: Ona Sudak
  47. Forty: Trouble Dog
  48. Forty-One: Sal Konstanz
  49. Part Two: The Marble Armada
  50. Forty-Two: Ona Sudak
  51. Forty-Three: Sal Konstanz
  52. Forty-Four: Nod
  53. Forty-Five: Trouble Dog
  54. Forty-Six: Sal Konstanz
  55. Forty-Seven: Ashton Childe
  56. Forty-Eight: Trouble Dog
  57. Forty-Nine: Sal Konstanz
  58. Fifty: Nod
  59. Fifty-One: Ashton Childe
  60. Fifty-Two: Ona Sudak
  61. Fifty-Three: Trouble Dog
  62. Fifty-Four: Ona Sudak
  63. Fifty-Five: Sal Konstanz
  64. Fifty-Six: Ashton Childe
  65. Fifty-Seven: Ona Sudak
  66. Fifty-Eight: Trouble Dog
  67. Fifty-Nine: Sal Konstanz
  68. Sixty: Ashton Childe
  69. Sixty-One: Ona Sudak
  70. Sixty-Two: Sal Konstanz
  71. Sixty-Three: Ona Sudak
  72. Sixty-Four: Nod
  73. Sixty-Five: Trouble Dog
  74. Sixty-Six: Ashton Childe
  75. Sixty-Seven: Sal Konstanz
  76. Sixty-Eight: Trouble Dog
  77. Sixty-Nine: Sal Konstanz
  78. Seventy: Sal Konstanz
  79. Seventy-One: Ashton Childe
  80. Seventy-Two: Trouble Dog
  81. Seventy-Three: The Marble Armada
  82. Seventy-Four: Nod
  83. Acknowledgements
  84. About the Author
  85. Also Available from Titan Books

We surged out of the station and punched through local traffic like a speedboat through a flotilla of yachts, leaving them scattered and squawking in our wake—something I knew the ship took a perverse delight in doing. Not that anyone would complain, of course. We were riding under the colours of the House of Reclamation; the next time we set forth at such speed, the lives we were racing to save might be theirs.

On screen, I watched Camrose Station grow smaller and smaller. Behind its interconnected rings and twinkling lights, I could see the rusty continents and blue oceans of the planet Camrose, home to two billion people.

How strange, I thought, that the human race had once been entirely limited to a solitary and similarly fragile planet. It seemed absurd. How could we have survived such confinement? By the time the Multiplicity came calling—in the disreputable shape of a battered old trading vessel from the Goblet Cluster—humanity must have been clawing at the walls of its prison. According to family history, my maternal great-great-grandmother had been born on the Moon, in orbit around a dying Earth. Her name was Sofia Nikitas. She had been sixteen years old when the trading ship set down on the Sea of Tranquility. By the time she disappeared, at the age of forty-five, she had travelled more than a thousand light years and left footprints in the dust and soil of more than a hundred different worlds. And, along the way, she had become the founder of the House of Reclamation.

I had requested no additional advantage in the House because of our connection. I hadn’t wanted to measure my career against hers. But even so, as I sat on the bridge of the Trouble Dog, preparing for the plunge into the wailing nothingness of the hypervoid, I felt I had disgraced her legacy.

* * *

As soon as the stars vanished, giving way to grey mist, I unstrapped from my couch and went aft. We would be in the hole for forty-nine hours and I had no intention of staring at the external view for a moment longer than necessary. The emptiness of higher-space could deceive the areas of the brain associated with visual perception, depriving them of stimulation and inducing visions, hallucinations, feelings of nausea and creeping dread.