Back Embers of War
Chapters (85)
  1. Cover
  2. Also by Gareth L. Powell and available from Titan Books
  3. Title Page
  4. Copyright
  5. Dedication
  6. Prologue: Pelapatarn
  7. Part One: Three Years Later
  8. One: Sal Konstanz
  9. Two: Ona Sudak
  10. Three: Ashton Childe
  11. Four: Sal Konstanz
  12. Five: Trouble Dog
  13. Six: Sal Konstanz
  14. Seven: Ashton Childe
  15. Eight: Sal Konstanz
  16. Nine: Sal Konstanz
  17. Ten: Trouble Dog
  18. Eleven: Ona Sudak
  19. Twelve: Sal Konstanz
  20. Thirteen: Trouble Dog
  21. Fourteen: Nod
  22. Fifteen: Sal Konstanz
  23. Sixteen: Ona Sudak
  24. Seventeen: Sal Konstanz
  25. Eighteen: Ashton Childe
  26. Nineteen: Ona Sudak
  27. Twenty: Sal Konstanz
  28. Twenty-One: Ashton Childe
  29. Twenty-Two: Trouble Dog
  30. Twenty-Three: Ona Sudak
  31. Twenty-Four: Sal Konstanz
  32. Twenty-Five: Trouble Dog
  33. Twenty-Six: Ashton Childe
  34. Twenty-Seven: Trouble Dog
  35. Twenty-Eight: Nod
  36. Twenty-Nine: Ona Sudak
  37. Thirty: Sal Konstanz
  38. Thirty-One: Nod
  39. Thirty-Two: Ona Sudak
  40. Thirty-Three: Sal Konstanz
  41. Thirty-Four: Nod
  42. Thirty-Five: Ashton Childe
  43. Thirty-Six: Sal Konstanz
  44. Thirty-Seven: Ona Sudak
  45. Thirty-Eight: Ashton Childe
  46. Thirty-Nine: Ona Sudak
  47. Forty: Trouble Dog
  48. Forty-One: Sal Konstanz
  49. Part Two: The Marble Armada
  50. Forty-Two: Ona Sudak
  51. Forty-Three: Sal Konstanz
  52. Forty-Four: Nod
  53. Forty-Five: Trouble Dog
  54. Forty-Six: Sal Konstanz
  55. Forty-Seven: Ashton Childe
  56. Forty-Eight: Trouble Dog
  57. Forty-Nine: Sal Konstanz
  58. Fifty: Nod
  59. Fifty-One: Ashton Childe
  60. Fifty-Two: Ona Sudak
  61. Fifty-Three: Trouble Dog
  62. Fifty-Four: Ona Sudak
  63. Fifty-Five: Sal Konstanz
  64. Fifty-Six: Ashton Childe
  65. Fifty-Seven: Ona Sudak
  66. Fifty-Eight: Trouble Dog
  67. Fifty-Nine: Sal Konstanz
  68. Sixty: Ashton Childe
  69. Sixty-One: Ona Sudak
  70. Sixty-Two: Sal Konstanz
  71. Sixty-Three: Ona Sudak
  72. Sixty-Four: Nod
  73. Sixty-Five: Trouble Dog
  74. Sixty-Six: Ashton Childe
  75. Sixty-Seven: Sal Konstanz
  76. Sixty-Eight: Trouble Dog
  77. Sixty-Nine: Sal Konstanz
  78. Seventy: Sal Konstanz
  79. Seventy-One: Ashton Childe
  80. Seventy-Two: Trouble Dog
  81. Seventy-Three: The Marble Armada
  82. Seventy-Four: Nod
  83. Acknowledgements
  84. About the Author
  85. Also Available from Titan Books

He stiffened. “There was a little more to it than that.”

“I’m sure.” I turned to the door. “Well, come on then, if you’re coming.”

I stepped over the threshold, from the relative confines of the station’s corridors to the echoing vault of the maintenance bay. The walls to the left and right of me were each half a kilometre distant, and the far wall, which housed the main doors, twice that distance. Overhead, the lights in the ceiling were like stars in the sky.

The Trouble Dog hung in the horizontal and vertical centre of the room. The air shimmered beneath her. Spotlights threw bright circles across her prickling bronze-coloured hide. From where I stood, I could make out the silhouettes of various disabled systems, and the empty weapon flats where the more offensive ordnance had been removed. Behind me, Preston Menderes paused and shaded his eyes as he looked up at the projectile-shaped fuselage.

“Christ,” he breathed. “What an antique.”

I gave him a sharp glance.

“Careful,” I said. “She has feelings.”

We walked into the shadow of the Trouble Dog, to where a platform waited for us.

“Hold the rail,” I advised Preston, knowing the Trouble Dog’s penchant for the theatrical. Not to mention its partiality for revenging slights.

As it happened, though, we were ferried up into the belly of the brute without so much as a single jolt. I looked across at the kid’s disdainful expression and thought, Sneer while you can. I knew this ship, and I knew she couldn’t let his comment pass. She’d get even with a prank of some kind; I just didn’t know how, or where, it would happen.

* * *

Aside from a few access panels, crawlways and maintenance hatches, the majority of the human-habitable portions of the Dog lay in a torus wrapped around her thickest point. Sensors and armament filled the tip of her pointed nose; engines the rest, from just behind the bow to the end of her gently tapering and flat-edged stern. The human quarters were like an inflatable rubber ring caught around the waist of a shark.

We came in via the embarkation lounge. As we entered the ship’s internal gravity field, my stomach did its customary flip. No matter where you were on the Dog, once you were inside the hull, “up” always lay in the direction of the ship’s core. In the main corridor, the floor seemed to slope upwards ahead and behind you, as if you were at the lowest point of a gentle valley.