Back Embers of War
Chapters (85)
  1. Cover
  2. Also by Gareth L. Powell and available from Titan Books
  3. Title Page
  4. Copyright
  5. Dedication
  6. Prologue: Pelapatarn
  7. Part One: Three Years Later
  8. One: Sal Konstanz
  9. Two: Ona Sudak
  10. Three: Ashton Childe
  11. Four: Sal Konstanz
  12. Five: Trouble Dog
  13. Six: Sal Konstanz
  14. Seven: Ashton Childe
  15. Eight: Sal Konstanz
  16. Nine: Sal Konstanz
  17. Ten: Trouble Dog
  18. Eleven: Ona Sudak
  19. Twelve: Sal Konstanz
  20. Thirteen: Trouble Dog
  21. Fourteen: Nod
  22. Fifteen: Sal Konstanz
  23. Sixteen: Ona Sudak
  24. Seventeen: Sal Konstanz
  25. Eighteen: Ashton Childe
  26. Nineteen: Ona Sudak
  27. Twenty: Sal Konstanz
  28. Twenty-One: Ashton Childe
  29. Twenty-Two: Trouble Dog
  30. Twenty-Three: Ona Sudak
  31. Twenty-Four: Sal Konstanz
  32. Twenty-Five: Trouble Dog
  33. Twenty-Six: Ashton Childe
  34. Twenty-Seven: Trouble Dog
  35. Twenty-Eight: Nod
  36. Twenty-Nine: Ona Sudak
  37. Thirty: Sal Konstanz
  38. Thirty-One: Nod
  39. Thirty-Two: Ona Sudak
  40. Thirty-Three: Sal Konstanz
  41. Thirty-Four: Nod
  42. Thirty-Five: Ashton Childe
  43. Thirty-Six: Sal Konstanz
  44. Thirty-Seven: Ona Sudak
  45. Thirty-Eight: Ashton Childe
  46. Thirty-Nine: Ona Sudak
  47. Forty: Trouble Dog
  48. Forty-One: Sal Konstanz
  49. Part Two: The Marble Armada
  50. Forty-Two: Ona Sudak
  51. Forty-Three: Sal Konstanz
  52. Forty-Four: Nod
  53. Forty-Five: Trouble Dog
  54. Forty-Six: Sal Konstanz
  55. Forty-Seven: Ashton Childe
  56. Forty-Eight: Trouble Dog
  57. Forty-Nine: Sal Konstanz
  58. Fifty: Nod
  59. Fifty-One: Ashton Childe
  60. Fifty-Two: Ona Sudak
  61. Fifty-Three: Trouble Dog
  62. Fifty-Four: Ona Sudak
  63. Fifty-Five: Sal Konstanz
  64. Fifty-Six: Ashton Childe
  65. Fifty-Seven: Ona Sudak
  66. Fifty-Eight: Trouble Dog
  67. Fifty-Nine: Sal Konstanz
  68. Sixty: Ashton Childe
  69. Sixty-One: Ona Sudak
  70. Sixty-Two: Sal Konstanz
  71. Sixty-Three: Ona Sudak
  72. Sixty-Four: Nod
  73. Sixty-Five: Trouble Dog
  74. Sixty-Six: Ashton Childe
  75. Sixty-Seven: Sal Konstanz
  76. Sixty-Eight: Trouble Dog
  77. Sixty-Nine: Sal Konstanz
  78. Seventy: Sal Konstanz
  79. Seventy-One: Ashton Childe
  80. Seventy-Two: Trouble Dog
  81. Seventy-Three: The Marble Armada
  82. Seventy-Four: Nod
  83. Acknowledgements
  84. About the Author
  85. Also Available from Titan Books

After leaving the embassy, I wandered the dockyard at Camrose Station. I had no need to hurry back to the Trouble Dog. The ship was more than capable of interfacing with the station to take care of her needs, and would alert me when she had been serviced and was ready to depart. In the meantime, I walked. The people I passed—those walking rather than taking one of the travel tubes—seemed drawn from every world and faction of the Generality. The locals affected loose, ankle-length kimonos, while visiting space crews wore fatigues or uniforms. Dressed in the regulation blue overalls of the House of Reclamation, I passed unnoticed.

To either side of the dockyard concourse, windows opened onto vast bays, some holding ships. I saw a scout craft similar to the Hobo, sitting on the floor of one of the hangars like a moth on the floor of a gymnasium. In the next bay along, mechanics were in the process of reassembling a bulk cargo hauler fully a kilometre and a half in length. Maintenance drones flew through its superstructure, pausing here and there to weld a patch or install a new component.

Ship minds were assembled in virtual nurseries according to strict regulations intended to prevent the emergence of machines capable of upgrading or replicating themselves. The more sociable were assigned to cruise ships; those with a tendency towards curating were assigned to manage orbital stations like Camrose; and the loners with the most solitary and reclusive personalities were installed on scout ships and long-distance cargo haulers.

If questioned, the Trouble Dog would try to convince you she had become a battleship because of her strict morals and scholarly demeanour. She saw herself as a kind of warrior poet in the vein of a seventeenth-century Japanese samurai; however, having captained the beast for two years, I regarded her personality as being more akin to that of an exceptionally smart Alsatian: loyal, energetic and prone to snapping at strangers. The ship wasn’t supposed to have a refined sense of right and wrong. Heavy cruisers couldn’t afford to be crippled by remorse, nor Reclamation Vessels preoccupied with failed rescues. Both had to be able to make instantaneous life-or-death judgments, and live with the results. However, an unintended side effect of using cloned human cells in the construction of ship minds was a tendency for unwanted emotions to seep into their personalities. Hence the Trouble Dog’s decision to resign her commission and enrol with the House.

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