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Chapters (45)
  1. Cover Page
  2. Title Page
  3. Dedication
  4. Acknowledgments
  5. CHAPTER ONE
  6. CHAPTER TWO
  7. CHAPTER THREE
  8. CHAPTER FOUR
  9. CHAPTER FIVE
  10. CHAPTER SIX
  11. CHAPTER SEVEN
  12. CHAPTER EIGHT
  13. CHAPTER NINE
  14. CHAPTER TEN
  15. CHAPTER ELEVEN
  16. CHAPTER TWELVE
  17. CHAPTER THIRTEEN
  18. CHAPTER FOURTEEN
  19. CHAPTER FIFTEEN
  20. CHAPTER SIXTEEN
  21. CHAPTER SEVENTEEN
  22. CHAPTER EIGHTEEN
  23. CHAPTER NINETEEN
  24. CHAPTER TWENTY
  25. CHAPTER TWENTY-ONE
  26. CHAPTER TWENTY-TWO
  27. CHAPTER TWENTY-THREE
  28. CHAPTER TWENTY-FOUR
  29. CHAPTER TWENTY-FIVE
  30. CHAPTER TWENTY-SIX
  31. CHAPTER TWENTY-SEVEN
  32. CHAPTER TWENTY-EIGHT
  33. CHAPTER TWENTY-NINE
  34. CHAPTER THIRTY
  35. CHAPTER THIRTY-ONE
  36. CHAPTER THIRTY-TWO
  37. CHAPTER THIRTY-THREE
  38. CHAPTER THIRTY-FOUR
  39. CHAPTER THIRTY-FIVE
  40. CHAPTER THIRTY-SIX
  41. CHAPTER THIRTY-SEVEN
  42. CHAPTER THIRTY-EIGHT
  43. Permissions Acknowledgments
  44. Also by Wendy Wasserstein
  45. Copyright Page

Judy had given a great deal of thought to whether to reconfigure her dining room into five tables of six or one long one seating thirty. There were valid arguments to be made for either scenario. The smaller tables afforded intimacy and conversation, but on the other hand, the seating plan was a nightmare. One table would get a media star like Charlie Rose, or an important producer like Barry Santorini. If Judy put her six biggest draws at one table, they would feel right at home but everyone else would feel cheated. After a week of sleepless nights, Judy opted for the one long table. The fact that she could get all of those people to one table really made, in her mind, the better statement.

If you asked Judy what her strong suit was, she would most definitely say not flowers. In fact, she sort of resented that some of the better hostesses in New York, like Pinky Graham and those Piel sisters, made a point of doing their own arrangements. On the other hand, Judy had been to enough dinners to know that traditional floral centerpieces were the kiss of death. She also knew that, ever since 9/11, austerity was in. This wasn’t the time for floating gardenias and birds-of-paradise. But she couldn’t live with herself if she just did spare orchids like a display table in the Takashimaya department store.

Aesthetically stumped, Judy phoned Adrienne Strong-Rodman for advice. Adrienne’s personal assistant had just discovered Umit Afet, a party planner who began as a salesgirl in Bendel’s napkin department and had recently worked for Lady de Rothschild, the Turkish ambassador, and several Hollywood bigwigs. Umit suggested a Turkish kilim running across the long dining room table and strategically placed Steuben glass bowls of red pomegranate and pistachios. For the center of the table, Umit provided a three-foot hookah pipe filled with white narcissus and purple anemones. Finally, for a splash of wit, multicolored evil-eye marbles and red snuff candles were dolloped everywhere.

“And I’d definitely do the eighteenth-century candelabras,” Umit advised after she saw Judy’s James Robinson collection. “That’s what will keep it fusion and not dip into totally Turkey.”

When Samantha walked into the dining room and saw the hookah flower arrangement, she promised herself to have a lunch with Judy and give her a list of who to avoid at all costs. Even at the Spence School kindergarten the girls learned to put away their marbles.

As a pianist in the adjoining room began to play “I Get a Kick Out of You,” Albert approached Samantha and took her under his arm. “Guest of honor, let me escort you to your seat?”

“Hello, Albert.” Samantha kissed him on both cheeks. “How did your girls like Silas Marner?”

“Not as much as The Story of O.” Albert laughed. “I hope you’ll honor us with a song after dinner,” Albert said as he pulled out Samantha’s chair.