Back Elemental
Chapters (142)
  1. About the Author
  2. Title Page
  3. Dedication
  4. Epigraph
  5. NOTEBOOK 1
  6. Brukie’s Sandy
  7. April 1972
  8. 1
  9. May 1972
  10. 2
  11. 3
  12. June 1972
  13. 4
  14. July 1972
  15. 5
  16. 6
  17. 7
  18. 8
  19. October 1972
  20. 9
  21. 10
  22. 11
  23. October 1972
  24. 12
  25. December 1972
  26. 13
  27. December 1972
  28. 14
  29. December 1972
  30. NOTEBOOK 2
  31. Brukie’s Sandy
  32. January 1973
  33. 1
  34. 2
  35. 3
  36. 4
  37. 5
  38. 6
  39. March 1973
  40. 7
  41. 8
  42. 9
  43. 10
  44. April 1973
  45. 11
  46. 12
  47. 13
  48. 14
  49. June 1973
  50. 15
  51. July 1973
  52. 16
  53. 17
  54. 18
  55. 19
  56. August 1973
  57. 20
  58. 21
  59. August 1973
  60. 22
  61. 23
  62. 24
  63. August 1973
  64. 25
  65. August 1973
  66. 26
  67. August 1973
  68. 27
  69. NOTEBOOK 3
  70. Brukie’s Sandy
  71. March 1974
  72. 1
  73. 2
  74. 3
  75. 4
  76. 5
  77. April 1974
  78. 6
  79. 7
  80. June 1974
  81. 8
  82. July 1974
  83. 9
  84. August 1974
  85. 10
  86. August 1974
  87. 11
  88. October 1974
  89. 12
  90. October 1974
  91. 13
  92. October 1974
  93. October 1974
  94. 14
  95. October 1974
  96. 15
  97. 16
  98. November 1974
  99. 17
  100. November 1974
  101. December 1974
  102. CODA
  103. Brukie’s Sandy
  104. 1
  105. 2
  106. 3
  107. 4
  108. 5
  109. 6
  110. 7
  111. 8
  112. 9
  113. 10
  114. 11
  115. 12
  116. 13
  117. 14
  118. 15
  119. 16
  120. 17
  121. 18
  122. 19
  123. 20
  124. 21
  125. 22
  126. 23
  127. 24
  128. 25
  129. 26
  130. 27
  131. April 1975
  132. Brukie’s Sandy
  133. 28
  134. 29
  135. 30
  136. 31
  137. 32
  138. 33
  139. Glossary
  140. Note
  141. Acknowledgments
  142. Works Cited

Inside the house, she turns on the heater and watches the bar slowly change colour. Grunnie’s last book is on the couch. She’s anxious to read it, hoping for light in her grandmother’s life in the ‘new world’. She hadn’t told Avril about Kitta, or about the little boy who flew off the cliff. She’d hinted, she’d warned, but Avril was avid for a love story, and you could not have one without the other. What was it Grunnie had said in her quaint way? Joy and grief—you have to kneel to both.

She jumps when the phone rings.

Hello?

Hello yourself. Gideon. Saw your car drive in. Could you stand a bit of company? A slice of spinach-and-fetta, perhaps?

She hesitates only a few seconds but knows it won’t be lost on him. Come on over. I’ve just opened a bottle of that South African Shiraz I told you about.

You sure? Because——

Yes, I’m sure. And Gideon? Wait till you see what I’ve just been given for my twenty-first.

~

Gideon holds a glass to the light. It glints and flashes, the bowl changing colour.

He takes a sip. Mmm. Peppery?

Laura’s no connoisseur; she just likes it. I thought of satsumas, god knows why.

He swirls a mouthful, considering, as she puts a bowl of olive tapenade on the table. Satsumas … the blood-red plum, the Shiraz grape. A marriage of vine and tree. He grins. You’ve an interesting palate there, Dr Ellery.

He spreads olive paste onto a cracker and offers it to her. He’s baked his own sea-salt crackers. Who does that? she wonders.

She shakes her head. They look delicious. But I’m not that hungry.

You’re never hungry.

You’re never not.

Muthic? This through a mouthful of crumbs.

OK, surprise me.

A guitar riff as she puts the pie in the oven. Tom Waits. ‘Downtown Train.’

He’s watching her closely as she tells him the news about Cooper. You can’t put much past Gideon. A warm, reassuring hand on her arm but he’s cautious with his words.

Well, that seems … positive. An inflection. It’s a question.

Mmm is all she’s willing to say, but she’s thinking: Will he be brain-damaged? Will he be able to handle the pain? Will he remember? Is it better for him not to remember? If she speaks aloud her fears about Cooper coming out of the coma, they will be released, out there, and it’s better not to give some thoughts air to breathe.

She pours herself another glass, tops up Gideon’s and changes the subject. Because, for once, there is another subject. Meggie.