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Contents ( 98)
  1. Contents
  2. CAST OF CHARACTERS
  3. PART ONE
  4. WALL
  5. 1961
  6. CHAPTER ONE
  7. CHAPTER TWO
  8. CHAPTER THREE
  9. CHAPTER FOUR
  10. CHAPTER FIVE
  11. CHAPTER SIX
  12. CHAPTER SEVEN
  13. CHAPTER EIGHT
  14. CHAPTER NINE
  15. CHAPTER TEN
  16. PART TWO
  17. BUG
  18. 1961–1962
  19. CHAPTER ELEVEN
  20. CHAPTER TWELVE
  21. CHAPTER THIRTEEN
  22. PART THREE
  23. ISLAND
  24. 1962
  25. CHAPTER FOURTEEN
  26. CHAPTER FIFTEEN
  27. CHAPTER SIXTEEN
  28. CHAPTER SEVENTEEN
  29. CHAPTER EIGHTEEN
  30. CHAPTER NINETEEN
  31. CHAPTER TWENTY
  32. PART FOUR
  33. GUN
  34. 1963
  35. CHAPTER TWENTY-ONE
  36. CHAPTER TWENTY-TWO
  37. CHAPTER TWENTY-THREE
  38. CHAPTER TWENTY-FOUR
  39. CHAPTER TWENTY-FIVE
  40. CHAPTER TWENTY-SIX
  41. CHAPTER TWENTY-SEVEN
  42. CHAPTER TWENTY-EIGHT
  43. CHAPTER TWENTY-NINE
  44. CHAPTER THIRTY
  45. PART FIVE
  46. SONG
  47. 1963–1967
  48. CHAPTER THIRTY-ONE
  49. CHAPTER THIRTY-TWO
  50. CHAPTER THIRTY-THREE
  51. CHAPTER THIRTY-FOUR
  52. CHAPTER THIRTY-FIVE
  53. CHAPTER THIRTY-SIX
  54. CHAPTER THIRTY-SEVEN
  55. CHAPTER THIRTY-EIGHT
  56. CHAPTER THIRTY-NINE
  57. CHAPTER FORTY
  58. PART SIX
  59. FLOWER
  60. 1968
  61. CHAPTER FORTY-ONE
  62. CHAPTER FORTY-TWO
  63. CHAPTER FORTY-THREE
  64. CHAPTER FORTY-FOUR
  65. CHAPTER FORTY-FIVE
  66. PART SEVEN
  67. TAPE
  68. 1972–1974
  69. CHAPTER FORTY-SIX
  70. CHAPTER FORTY-SEVEN
  71. CHAPTER FORTY-EIGHT
  72. CHAPTER FORTY-NINE
  73. CHAPTER FIFTY
  74. PART EIGHT
  75. YARD
  76. 1976–1983
  77. CHAPTER FIFTY-ONE
  78. CHAPTER FIFTY-TWO
  79. CHAPTER FIFTY-THREE
  80. CHAPTER FIFTY-FOUR
  81. PART NINE
  82. BOMB
  83. 1984–1987
  84. CHAPTER FIFTY-FIVE
  85. CHAPTER FIFTY-SIX
  86. CHAPTER FIFTY-SEVEN
  87. CHAPTER FIFTY-EIGHT
  88. PART TEN
  89. WALL
  90. 1988–1989
  91. CHAPTER FIFTY-NINE
  92. CHAPTER SIXTY
  93. CHAPTER SIXTY-ONE
  94. CHAPTER SIXTY-TWO
  95. EPILOGUE
  96. November 4, 2008
  97. CHAPTER SIXTY-THREE
  98. ACKNOWLEDGMENTS

Cam parked in Alzacka Street and saw the blue Skoda pull up a hundred yards past him.

He was sometimes tempted to talk to Mario and Ollie, as they were so much part of his life, but he had been warned never to do that, for then the SB would switch personnel and it would take him time to recognize the new people.

He entered the Egyptian embassy and took a cocktail from a tray. It was so dilute he could hardly taste the gin. He talked to an Austrian diplomat about the difficulty of buying comfortable men’s underwear in Warsaw. When the Austrian drifted away, Cam looked around and saw a blond woman in her twenties standing alone. She caught his eye and smiled, so he went to speak to her.

He swiftly found out that she was Polish, her name was Lidka, and she worked as a secretary in the Canadian embassy. She was wearing a tight pink sweater and a short black skirt that showed off her long legs. She spoke good English, and listened to Cam with an intensity of concentration that he found flattering.

Then a man in a pin-striped suit summoned her peremptorily, making Cam think he must be her boss, and the conversation broke up. Almost immediately Cam was approached by another attractive woman, and he began to think it was his lucky day. This one was older, about forty, but prettier, with short pale-blond hair and bright blue eyes enhanced by blue eye shadow. She spoke to him in Russian. “I’ve met you before,” she said. “Your name is Cameron Dewar. I’m Tanya Dvorkin.”

“I remember,” he said, glad of the chance to show off his fluency in Russian. “You’re a reporter for TASS.”

“And you’re a CIA agent.”

He certainly would not have told her that, so she must have guessed. Routinely, he denied it. “Nothing so glamorous,” he said. “Just a humble cultural attaché.”

“Cultural?” she said. “Then you can help me. What kind of painter is Jan Matejko?”

“I’m not sure,” he said. “Impressionist, I think. Why?”

“Art really not your thing?”

“I’m more a music person,” he said, feeling cornered.

“You probably love Szpilman, the Polish violinist.”

“Absolutely. Such technique with the bow!”

“What do you think of the poet Wislawa Szymborska?”

“I haven’t read much of his work, sadly. Is this a test?”

“Yes, and you failed. Szymborska is a woman. Szpilman is a pianist, not a violinist. Matejko was a conventional painter of court scenes and battles, not an impressionist. And you’re no cultural attaché.”

Cam was mortified to have been found out so easily. What a hopeless undercover agent he was! He tried to brush it off with humor. “I might just be a very bad cultural attaché.”

She lowered her voice. “If a Polish army officer wanted to talk to a representative of the USA, you could arrange it, I guess.”

Suddenly the conversation had taken a serious turn. Cam felt nervous. This could be some kind of trap.