Chapters (65)
- Cover
- TITLE PAGE
- COPYRIGHT
- CHAPTER 1
- CHAPTER 2
- CHAPTER 3
- CHAPTER 4
- CHAPTER 5
- CHAPTER 6
- CHAPTER 7
- CHAPTER 8
- CHAPTER 9
- CHAPTER 10
- CHAPTER 11
- CHAPTER 12
- CHAPTER 13
- CHAPTER 14
- CHAPTER 15
- CHAPTER 16
- CHAPTER 17
- CHAPTER 18
- CHAPTER 19
- CHAPTER 20
- CHAPTER 21
- CHAPTER 22
- CHAPTER 23
- CHAPTER 24
- CHAPTER 25
- CHAPTER 26
- CHAPTER 27
- CHAPTER 28
- CHAPTER 29
- CHAPTER 30
- CHAPTER 31
- CHAPTER 32
- CHAPTER 33
- CHAPTER 34
- CHAPTER 35
- CHAPTER 36
- CHAPTER 37
- CHAPTER 38
- CHAPTER 39
- CHAPTER 40
- CHAPTER 41
- CHAPTER 42
- CHAPTER 43
- CHAPTER 44
- CHAPTER 45
- CHAPTER 46
- CHAPTER 47
- CHAPTER 48
- CHAPTER 49
- CHAPTER 50
- CHAPTER 51
- CHAPTER 52
- CHAPTER 53
- CHAPTER 54
- CHAPTER 55
- CHAPTER 56
- EPILOGUE
- DEDICATION
- ACKNOWLEDGMENTS
- ALSO BY JOE SCHREIBER
- ABOUT THE AUTHOR
- What’s next onyour reading list?
The image inside the book tilted, shifting into three dimensions, the room angling as in a mirror, and Mike felt the amusement park vertigo of toppling forward into unexpected depths. He wasn’t looking at the hospital room anymore but somewhere else, the boundaries of his body dissolving into a fine mist, drifting through the page into a bright rectangle of cool air.
In front of him now, the steering wheel of a car with a windshield above it, cruising through the wooded autumn countryside. There was the smell of apples and dry hay, the sky blue and clear for miles in all directions. Soft jazz played on the car radio, a trumpet he somehow knew was being manipulated by someone named Art Farmer.
The road curved and through a clearing he saw a farmhouse with cars parked out in front. None of the cars looked like they had rolled off the assembly line after the mid-seventies. A sign out in front of the barn read: ESTATE SALE TODAY.
The car stopped and Mike felt himself getting out. That was the first time he realized that the body that his consciousness had settled back into was not his own. The hands, while masculine, were too slender, the fingers too long and agile to be his. As he crossed the lawn to the house, his pace was smooth and confident, almost as if he were gliding rather than walking. Up ahead, two men in overalls were lugging a vanity down the front steps and he saw a flash of himself in the mirror. The face of Dr. Walker, the younger Walker, gazed back at him from the mirror’s depths.
I don’t want to go in there.
Not a choice: he was inside the book now, a prisoner of its pages, seeing what it wanted him to see. Entering the old farmhouse, moving among the men and women examining the items for sale, he was already ascending the stairs. His gaze hovered here and there, an old chair, a painting of an elderly woman, floating from room to room but never lingering longer than a moment.
In the corner bedroom, one of Walker’s slender hands reached out to examine the workmanship of a Shaker headboard. It pulled the headboard forward and something fell out from behind it, an object that had been trapped behind the bed and the wall.
The point of view swam down for a better look.
It was the leather-bound book. Mike saw Dr. Walker’s beautiful smooth hands lifting it, brushing off dust and dried spider carcasses, opening it to scan pages of faded writing.
Put it down!
It was too late. He was already downstairs, paying for the book, carrying it back to his car.
Here a big chunk of the footage was missing. The images came quicker after that, spliced erratically.