Back Debt of Honor
Chapters (50)
  1. DEBT OF HONOR
  2. Acknowledgments
  3. Prologue
  4. 1—Alumni
  5. 2—Fraternity
  6. 3—Collegium
  7. 4—Activity
  8. 5—Complexity Theory
  9. 6—Looking In, Looking Out
  10. 7—Catalyst
  11. 8—Fast-Forwarding
  12. 9—Power Plays
  13. 10—Seduction
  14. 11—Sea Change
  15. 12—Formalities
  16. 13—Winds and Tides
  17. 14—Reflections
  18. 15—A Damned, Foolish Thing
  19. 16—Payloads
  20. 17—Strike One
  21. 18—Easter Egg
  22. 19—Strike Two
  23. 20—Strike Three
  24. 21—Navy Blue
  25. 22—The Global Dimension
  26. 23—Catching Up
  27. 24—Running in Place
  28. 25—All the King's Horses
  29. 26—Catch-up
  30. 27—Piling On
  31. 28—Transmissions
  32. 29—Written Records
  33. 30—Why Not?
  34. 31—The How and the What
  35. 32—Special Report
  36. 33—Reversal Points
  37. 34—All Aboard
  38. 35—Consequences
  39. 36—Consideration
  40. 37—Going Deep
  41. 38—The River Rubicon
  42. 39—Eyes First
  43. 40—Foxes and Hounds
  44. 41—CTF-77
  45. 42—Lightning Strikes
  46. 43—Dancing to the Tune
  47. 44—…from one who knows the score…
  48. 45—Line of Battle
  49. 46—Detachment
  50. 47—Brooms

As with everything in Japan, it was a highly organized affair. People, already formed into groups with leaders, had arrived mostly by crowded commuter trains, boarded buses at the stations, and been dropped off only a few blocks away. Who chartered the buses? Clark wondered. Who printed the signs? The wording on them was literate, which was odd, he was slow to realize. Though often well schooled in English, Japanese citizens messed up the foreign tongue as much as one might expect, especially on slogans. He'd seen one young man earlier in the day wearing a T-shirt with the legend " Inspire in Paradise," probably an exact representation of something in Japanese, and yet another example of the fact that no language translated precisely into another. But not these signs. The syntax was perfect in every case he saw, better, in fact, than he might have seen in an American demonstration. Wasn't that interesting?

Well, what the hell, he thought. I'm a journalist, right?

"Excuse me," John said, touching a middle-aged man on the arm.

"Yes?" The man turned in surprise. He was nicely turned out, wore a dark suit, and his tie was neatly knotted in the collar of his white shirt. There wasn't even much anger on his face, nor any emotion that might have built up from the spirit of the moment. "Who are you?"

"I am a Russian journalist, for the Interfax News Agency," Clark said, showing an ID card marked in Cyrillic.

"Ah." The man smiled and bowed politely. Clark returned the gesture correctly, drawing an approving look for his good manners.

"May I please ask you some questions?"

"Certainly." The man almost seemed relieved to be able to stop shouting. A few questions established that he was thirty-seven, married with one child, a salaryman for an auto company, currently laid off, and very upset with America at the moment—though not at all unhappy with Russia, he added quickly.

He's embarrassed by all this, John thought, thanking the man for his opinion.

"What was that all about?" Chavez asked quietly from behind his camera.

"Russkiy," "Klerk" replied sharply.

"Da, tovarisch."

"Follow me," "Ivan Sergeyevich" said next, entering the crowd. There was something else odd, he thought, something he wasn't quite getting. Ten meters into the crowd, it was clear. The people at the periphery of the mob were supervisory. The inside was composed of blue-collar workers, more casually dressed, people with less dignity to lose. Here the mood was different. The looks he got were angrier, and though they became more polite when he identified himself as a non-American, the suspicion was real, and the answers to his questions, when he got answers, were less circumspect than he'd received before. In due course the people moved off, guided by their senior leadership and shepherded by police to another place, one that had a stage prepared. That was where things changed.