Chapters (116)
- Cover
- Title Page
- Dedication
- Epigraph
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 16
- Chapter 17
- Chapter 18
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- Chapter 33
- Chapter 34
- Chapter 35
- Chapter 36
- Chapter 37
- Chapter 38
- Chapter 39
- Chapter 40
- Chapter 41
- Chapter 42
- Chapter 43
- Chapter 44
- Chapter 45
- Chapter 46
- Chapter 47
- Chapter 48
- Chapter 49
- Chapter 50
- Chapter 51
- Chapter 52
- Chapter 53
- Chapter 54
- Chapter 55
- Chapter 56
- Chapter 57
- Chapter 58
- Chapter 59
- Chapter 60
- Chapter 61
- Chapter 62
- Chapter 63
- Chapter 64
- Chapter 65
- Chapter 66
- Chapter 67
- Chapter 68
- Chapter 69
- Chapter 70
- Chapter 71
- Chapter 72
- Chapter 73
- Chapter 74
- Chapter 75
- Chapter 76
- Chapter 77
- Chapter 78
- Chapter 79
- Chapter 80
- Chapter 81
- Chapter 82
- Chapter 83
- Chapter 84
- Chapter 85
- Chapter 86
- Chapter 87
- Chapter 88
- Chapter 89
- Chapter 90
- Chapter 91
- Chapter 92
- Chapter 93
- Chapter 94
- Chapter 95
- Chapter 96
- Chapter 97
- Chapter 98
- Chapter 99
- Chapter 100
- Chapter 101
- Chapter 102
- Chapter 103
- Chapter 104
- Acknowledgments
- Discover More
- On Henry Darger
- Selected Bibliography
- About the Author
- Teaser Chapter
- Also by Elizabeth Hand
- Praise for Elizabeth Hand’sCurious Toys
He’d have to develop the negatives he’d already shot—a waste of the remaining film on that roll, but he’d already been deprived of one pleasure back in the theater. Now, with her dress spoiled, he’d have no joy in dressing the doll again, and no joy whatsoever in giving her the bitch’s name. What had it been? Gilda.
He pushed it from his memory. He would find another girl tomorrow.
Maria waited inside the closet, arms held stiffly at her side, her blue glass eyes gazing straight ahead. Her bisque fingers would be cold to the touch. She had no teeth to bite.
He stared at her, turned, and walked to the bed. He knelt to retrieve the camera and film tank and light apron where he’d hidden them, picked up the doll, and set her on the mattress. He spent several minutes posing her, shooting what remained of the film.
When he was finished, he turned his attention to the film tank. He measured out the grains of pyro, sulfite of soda, and soda carbonate into five ounces of lukewarm water in the cylinder, added cold water. He repeated a similar process with the acid bath, dissolving the fixing powders in warm water he poured into a washbasin. He proceeded with the intricate transfer of the film cartridge from his camera, carefully lowered the reel into the cylinder, set it on a plate.
He got out his pocket watch, and every three minutes turned the cylinder, until twenty minutes had passed. He brought the cylinder to the sink, removed the transferring reel, and set it into the fixing bath; washed it five times in another bowl, changing the water each time. Last of all, he hung the filmstrip from a dowel to dry. Later, he would examine the negatives and make the prints in the same closet where he kept the doll. He used a flashlight for this, which gave the final prints a misty, dreamy quality.
He washed his hands, cracked a window to disperse the acrid scent of the chemicals, and returned to the closet. The familiar ritual of developing the film had calmed him, but as he gazed down at Maria in her yellow dress, he felt that ease dissolve. Her vacant gaze seemed focused on something in the room behind him: it took all his effort not to look over his shoulder to be sure he was still alone.