Chapters (116)
- Cover
- Title Page
- Dedication
- Epigraph
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 16
- Chapter 17
- Chapter 18
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- Chapter 33
- Chapter 34
- Chapter 35
- Chapter 36
- Chapter 37
- Chapter 38
- Chapter 39
- Chapter 40
- Chapter 41
- Chapter 42
- Chapter 43
- Chapter 44
- Chapter 45
- Chapter 46
- Chapter 47
- Chapter 48
- Chapter 49
- Chapter 50
- Chapter 51
- Chapter 52
- Chapter 53
- Chapter 54
- Chapter 55
- Chapter 56
- Chapter 57
- Chapter 58
- Chapter 59
- Chapter 60
- Chapter 61
- Chapter 62
- Chapter 63
- Chapter 64
- Chapter 65
- Chapter 66
- Chapter 67
- Chapter 68
- Chapter 69
- Chapter 70
- Chapter 71
- Chapter 72
- Chapter 73
- Chapter 74
- Chapter 75
- Chapter 76
- Chapter 77
- Chapter 78
- Chapter 79
- Chapter 80
- Chapter 81
- Chapter 82
- Chapter 83
- Chapter 84
- Chapter 85
- Chapter 86
- Chapter 87
- Chapter 88
- Chapter 89
- Chapter 90
- Chapter 91
- Chapter 92
- Chapter 93
- Chapter 94
- Chapter 95
- Chapter 96
- Chapter 97
- Chapter 98
- Chapter 99
- Chapter 100
- Chapter 101
- Chapter 102
- Chapter 103
- Chapter 104
- Acknowledgments
- Discover More
- On Henry Darger
- Selected Bibliography
- About the Author
- Teaser Chapter
- Also by Elizabeth Hand
- Praise for Elizabeth Hand’sCurious Toys
BACK IN HIS room, Lionel lit up one of the hashish cigarettes Max’s boy had delivered and inhaled deeply. He’d left Essanay in a rage after yet another argument with Spoor.
“What is this garbage, Mr. Gerring? Women buried alive, skeletons in tombs—” Spoor had tossed the pages of Lionel’s most recent photoplay back onto his desk.
“She gets saved,” Lionel protested. “It’d be perfect for Bushman.”
“Bushman would follow Chaplin to California if he ever got a whiff of this. Garbage,” he repeated in disgust.
“It’s from Edgar Allan Poe.”
“Dieter’s already working on Edgar Allan Poe. ‘The Raven,’ lots of spooky stuff. And where’s the love interest? That’s what the ladies want to see. Something funny and exciting. Brewster’s Millions, why didn’t you come up with that one before DeMille?”
“Because George Barr McCutcheon already did, years ago. In a book.”
“No one wants to watch a story about a murderer.”
“He gets captured! We see him brought to the gallows in chains!”
Spoor’s face crinkled in distaste. “No one wants to see that, either, Gerring.”
A week earlier he’d pitched a flicker inspired by The Tales of Hoffmann, which he’d seen before he fled New York. He’d been especially intrigued by the segment featuring a life-size toy, an automaton that could dance and sing. Lionel had typed up a photoplay, six scenes, all but the last set in a toy shop.
“You’ve got something here,” Spoor had said. “I like the toy shop, the dolls, too. But it’s too spooky. And kissing the doll, that just strikes me as peculiar. Maybe these…notions…are accepted back East, Mr. Gerring, but not here. I don’t want to see any more girls buried alive, or men fondling kids dressed like dolls. Spoiled my dinner, reading that. Made me think of my own little girls.”
Lionel didn’t bother pointing out that half the movies shot in Chicago and New York starred girls under sixteen, or women cast because they looked like children. Or that some of the most successful moving pictures of the last few years were what Spoor called garbage: The Body in the Trunk, Dr. Jekyll and Mr. Hyde, The Skull.
Spoor handed the sheaf of typescript back to Lionel. “But it’s a funny idea. I mentioned it to Wally, it’s a good fit for him. Write it funny. Get it to me by Wednesday, we can begin shooting next week.”
That had been just over a week ago. Sweedie’s Tell-Tale Toys had already opened and was raking in the nickels. There’d been no point in arguing. Lionel got paid a hundred and fifty dollars for a Sweedie scenario…