Back Come and Get Me Save as PDF
Chapters (92)
  1. Title Page
  2. Dedication
  3. Acknowledgments
  4. Chapter 1
  5. Chapter 2
  6. Chapter 3
  7. Chapter 4
  8. Chapter 5
  9. Chapter 6
  10. Chapter 7
  11. Chapter 8
  12. Chapter 9
  13. Chapter 10
  14. Chapter 11
  15. Chapter 12
  16. Chapter 13
  17. Chapter 14
  18. Chapter 15
  19. Chapter 16
  20. Chapter 17
  21. Chapter 18
  22. Chapter 19
  23. Chapter 20
  24. Chapter 21
  25. Chapter 22
  26. Chapter 23
  27. Chapter 24
  28. Chapter 25
  29. Chapter 26
  30. Chapter 27
  31. Chapter 28
  32. Chapter 29
  33. Chapter 30
  34. Chapter 31
  35. Chapter 32
  36. Chapter 33
  37. Chapter 34
  38. Chapter 35
  39. Chapter 36
  40. Chapter 37
  41. Chapter 38
  42. Chapter 39
  43. Chapter 40
  44. Chapter 41
  45. Chapter 42
  46. Chapter 43
  47. Chapter 44
  48. Chapter 45
  49. Chapter 46
  50. Chapter 47
  51. Chapter 48
  52. Chapter 49
  53. Chapter 50
  54. Chapter 51
  55. Chapter 52
  56. Chapter 53
  57. Chapter 54
  58. Chapter 55
  59. Chapter 56
  60. Chapter 57
  61. Chapter 58
  62. Chapter 59
  63. Chapter 60
  64. Chapter 61
  65. Chapter 62
  66. Chapter 63
  67. Chapter 64
  68. Chapter 65
  69. Chapter 66
  70. Chapter 67
  71. Chapter 68
  72. Chapter 69
  73. Chapter 70
  74. Chapter 71
  75. Chapter 72
  76. Chapter 73
  77. Chapter 74
  78. Chapter 75
  79. Chapter 76
  80. Chapter 77
  81. Chapter 78
  82. Chapter 79
  83. Chapter 80
  84. Chapter 81
  85. Chapter 82
  86. Chapter 83
  87. Chapter 84
  88. Chapter 85
  89. Chapter 86
  90. Chapter 87
  91. Chapter 88
  92. Author Biography

The character of Caitlin Bergman began in a screenplay in 2007. Although based on several of the strongest people this author has known, the part was written specifically for my college friend—and later Broadway, TV, and film actress as well as wife and mother—Karen Walsh Rullman. Whenever I write a line of Caitlin’s dialogue, Karen’s voice fights on.

Unlike Caitlin Bergman, I’ve been blessed with fabulous parents and a supportive family who love the arts, problem solving, and a mean game of Clue. Thanks Norm, Barb, Pete, Cami, Logan, Zach, and the extended Norman-Michalek-Rusnak-Thoemings for all of your support—despite the swearing! Same goes for my in-laws, Jim and Ruthann, and all of the extended Stevens-Burns, who weren’t quite sure what I meant when I said I wrote crime fiction. Thanks for being more proud than scared.

Indiana University, the city of Bloomington, the Bloomington Police Department, and the FBI all play parts in this fictional episode of Caitlin Bergman’s life. Although all four have dealt with horrible real-world events, in no way is this work meant to denigrate the hard-working police officers, federal agents, college professors, or local businesses of a beautiful college town. This Indiana native and IU alum chose the idyllic location to show that suffering is universal and that no one place is immune from corruption and abuse, no matter how lovely. My longest lasting friendships began in and around the creative jewel of the Midwest and continue to this day.

This work also touches on sexual assault, drug use, trauma, and psychology. My personal therapist, Annie Armstrong, was instrumental in the handling of this material, but in no way does this author claim ownership or expertise in the subjects presented. If you or someone you know is suffering, please seek help from a trained professional.

Finally, actor-comedian-writer Rebecca Stevens, also known as my wife, has been my inspiration, harshest critique partner, and biggest fan. Thank you for understanding that sometimes writing means searching for ways to commit murder, eating a basket of steak fries, or staring at a computer screen instead of doing laundry. Every day with you by my side is a sexy, fun-filled thriller, and every day without you is a mystery that must be solved.

Chapter 1

CHAPTER

1

“I SEE THE WAY you look at girls,” his mother had said. “Like they’re toys. Like you want to own them.”

Almost ten years ago now, but the moment came back to him like the words to his favorite song, the way her lips wrinkled when she sucked the last of the menthol through her lipstick-coated Newport, the glazed-over stare from under her heavy, half-closed eyelids, the pointless, but repeated glances at the empty pill bottles on the table.

“You can’t own a woman. It’s like trying to control a river.”

After all this time, he still didn’t know if she’d intended the irony.

Hadn’t the pills owned her?