Chapters (20)
- by
- Preface
- Ladders to Fire
- Main Characters
- Publishing History
- Prologue
- This Hunger
- Bread and the Wafer
- Children of the Albatross
- Main Characters
- Introduction
- The Sealed Room
- The Café
- The Four-Chambered Heart
- Beginning
- A Spy in the House of Love
- Publishing History
- Seduction of the Minotaur
- About the Author
- More Titles from Sky Blue Press
The receptionist at the desk was dressed in rose silk, as if registering guests and handing out keys were part of the festivities. The manager came out, holding out his hand paternally, as though his immense bulk conferred on him a patriarchy, and said: "You are free to enjoy yourself tonight. You won't have to start playing until tomorrow night. Did you see the posters?"
He led her to the entrance where her photograph, enlarged, faced her like the image of a total stranger. She never recognized herself in publicity photographs. "I look pickled," she thought.
A dance was going on, on the leveled portion of the rock beside the hotel. The music was intermittent, for the wind carried some of the notes away, and the sound of the sea absorbed others, so that these fragments of mambos had an abstract distinction like the music of Erik Satie. It also made the couples seem to be dancing sometimes in obedience to it, and sometimes in obedience to the gravitations of their secret attractions.
A barefoot boy carried Lillian's bags along winding paths. Flowers brushed her face as she passed. Both music and sea sounds grew fainter as they climbed. Cottages were set capriciously on rock ledges, hidden by reeds, or camouflaged in bougainvillaea. The boy stopped before a cottage with a palm-leaf roof.
In front of it was a long tile terrace with a hemp hammock strung across it. The room inside had whitewashed walls and contained only a bed, a table, and a chair. Parasoling over the cottage was a giant tree which bore leaves shaped like fans. The encounter of the setting sun and rising moon had combined to paint everything in the changing colors of mercury.
As Lillian opened a bureau drawer, a mouse that had been making a nest of magnolia petals suddenly fled.
She showered and dressed hastily, feeling that perhaps the beauty and velvety softness of the night might not last, that if she delayed it would change to coldness and harshness. She put on the only dress she had that matched the bright flowers, an orange cotton. Then she opened the screen door. The night lay unchanged, serene, filled with tropical whisperings, as if leaves, birds, and sea breezes possessed musicalities unknown to northern countries, as if the richness of the scents kept them all intently alive.
The tiles under her bare feet were warm. The perfume she had sprayed on herself evaporated before the stronger perfumes of carnation and honeysuckle.
She walked back to the wide terrace where people sat on deck chairs waiting for each other and for dinner.
The expanse of sky was like an infinite canvas on which human beings were incapable of projecting images from their human life because they would seem out of scale and absurd.