Chapters (20)
- by
- Preface
- Ladders to Fire
- Main Characters
- Publishing History
- Prologue
- This Hunger
- Bread and the Wafer
- Children of the Albatross
- Main Characters
- Introduction
- The Sealed Room
- The Café
- The Four-Chambered Heart
- Beginning
- A Spy in the House of Love
- Publishing History
- Seduction of the Minotaur
- About the Author
- More Titles from Sky Blue Press
pumped iridescence into the lungs for transcendental x-rays
printed new geographies in the lining of the eyes
adorned words with sails, ears with velvet mutes
and soon the balcony tipped their shadows into the river, too, so that the kiss might be baptized in the holy waters of continuity.
Djuna walked along the Seine the next morning asking the fishermen and the barge sailors for a boat to rent in which she and Rango might live.
As she stood by the parapet wall, and then leaned over to watch the barges, a policeman watched her.
(Does he think I am going to commit suicide? Do I look like someone who would commit suicide? How blind he is! I never wanted less to die, on the very day I am beginning to live!)
He watched her as she ran down the stairs to talk to the owner of Nanette, a bright red barge. Nanette had little windows trimmed with beaded curtains just like the superintendent's windows in apartment houses.
(Why bring to a barge the same trimmings as those of a house? They are not made for the river, these people, not for voyages. They like familiarity, they like to continue their life on earth, while Rango and I want to run away from houses, cafés, streets, people. We want to find an island, a solitary cell, where we can dream in peace together. Why should the policeman think I may jump into the river at this moment when I never felt less like dying? Or does he stand there to reproach me for slipping out of my father's house last night after ten o'clock, with such infinite precautions, leaving the front door ajar so he would not hear me leave, deserting his house with a beating heart because now his hair is white and he no longer understands anyone's need to love, for he has lost everything, not to love, but to his games of love; and when you love as a game, you lose everything, as he lost his home and wife, and now he clings to me, afraid of loss, afraid of solitude.)
That morning at five-thirty she had awakened, gently untangled her body from Rango's arms and reached her room at six, and at six-thirty her father had knocked on the door because he was ill and wanted care.