Back Cities of the Interior
Chapters (20)
  1. by
  2. Preface
  3. Ladders to Fire
  4. Main Characters
  5. Publishing History
  6. Prologue
  7. This Hunger
  8. Bread and the Wafer
  9. Children of the Albatross
  10. Main Characters
  11. Introduction
  12. The Sealed Room
  13. The Café
  14. The Four-Chambered Heart
  15. Beginning
  16. A Spy in the House of Love
  17. Publishing History
  18. Seduction of the Minotaur
  19. About the Author
  20. More Titles from Sky Blue Press

Paul was holding the chopsticks like impudent puppets, gesticulating, then he playfully unfastened the first button of her blouse with them, deftly, and they laughed together.

"It's time for the ballet," said Djuna. "Your father is evidently not coming, or he would be here already."

She saw the illumination of desire light his face.

"Wait, Djuna." He unfastened the second button, and the third.

Then he laid his head on her breast and said: "Let's not go anywhere tonight. Let's stay here."

Paul despised small and shallow waves. He was drawn to a vastness which corresponded to his boundless dreams. He must possess the world in some big way, rule a large kingdom, expand in some absolute leadership.

He felt himself king as a child feels king, over kingdoms uncharted by ordinary men. He would not have the ordinary, the known. Only the vast, the unknown could satisfy him.

Djuna was a woman with echoes plunging into an endless past he could never explore completely. When he tasted her he tasted a suffering which had borne a fragrance, a fragrance which made deeper grooves. It was enough that he sensed the dark forests of experience, the unnamed rivers, the enigmatic mountains, the rich mines under the ground, the overflowing caves of secret knowledges. A vast ground for an intrepid adventurer.

Above all she was his "ocean," as he wrote her. "When a man takes a woman to himself he possesses the sea."

The waves, the enormous waves of a woman's love!

She was a sea whose passions could rise sometimes into larger waves than he felt capable of facing!

Much as he loved danger, the unknown, the vast, he felt too the need of taking flight, to put distance and space between himself and the ocean for fear of being submerged!

Flight: into silence, into a kind of invisibility by which he could be sitting there on the floor while yet creating an impression of absence, able to disappear into a book, a drawing, into the music he listened to.

She was gazing at his little finger and the extreme fragility and sensitiveness of it astonished her.

(He is the transparent child.)

Before this transparent finger so artfully carved, sensitively wrought, boned, which alighted on objects with a touch of air and magic, at the marvel of it, the ephemeral quality of it, a wave of passion would mount within her and exactly like the wave of the ocean intending merely to roll over, cover the swimmer with an explosion of foam, in a rhythm of encompassing, and withdrawing, without intent to drag him to the bottom.