Chapters (20)
- by
- Preface
- Ladders to Fire
- Main Characters
- Publishing History
- Prologue
- This Hunger
- Bread and the Wafer
- Children of the Albatross
- Main Characters
- Introduction
- The Sealed Room
- The Café
- The Four-Chambered Heart
- Beginning
- A Spy in the House of Love
- Publishing History
- Seduction of the Minotaur
- About the Author
- More Titles from Sky Blue Press
His hair was falling over his eager eyes. Djuna pulled at it. He stopped her. "You can't do that any more, oh no." And he sank his teeth into the softest part of her neck.
"You're sharpening your teeth to become a great lover," she said.
When desire overtook him he always had a moment of wildly beating heart, almost of distress, before the invading tide. Before closing his eyes to kiss her, before abandoning himself, he always carefully closed the shutters, windows and doors.
This was the secret act, and he feared the eyes of the world upon him. The world was full of eyes upon his acts, eyes watching with disapproval.
That was the secret fear left from his childhood: dreams, wishes, acts, pleasures which aroused condemnation in the parents' eyes. He could not remember one glance of approval, of love, of admiration, of consent. From far back he remembered being driven into secrecy because whatever he revealed seemed to arouse disapproval or punishment.
He had read the Arabian Nights in secret, he had smoked in secret, he had dreamed in secret.
His parents had questioned him only to accuse him later.
And so he closed the shutters, curtains, windows, and then went to her and both of them closed their eyes upon their caresses.
There was a knitted blanket over the couch which he particularly liked. He would sit under it as if it were a tent. Through the interstices of the knitting he could see her and the room as through an oriental trellis. With one hand out of the blanket he would seek her little finger with his little finger and hold it.
As in an opium dream, this touching and interlacing of two little fingers became an immense gesture, the very fragile bridge of their relationship. By this little finger so gently and so lightly pulling hers he took her whole self as no one else had.
He drew her under the blanket thus, in a dreamlike way, by a small gesture containing the greatest power, a greater power than violence.
Once there they both felt secure from all the world, and from all threats, from the father and the detective, and all the taboos erected to separate lovers all over the world.
Lawrence rushed over to warn them that Paul's father had been seen driving through the neighborhood.
Paul and Djuna were having dinner together and were going to the ballet.
Paul had painted a feather bird for Djuna's hair and she was pinning it on when Lawrence came with the warning.
Paul became a little pale, then smiled and said: "Wafer, in case my father comes, could you make yourself less pretty?"
Djuna went and washed her face of all make-up, and then she unpinned the airy feather bird from her hair, and they sat down together to wait for the father.