Back Chaos
Chapters (55)
  1. Title Page
  2. Dedication
  3. Epigraph
  4. PROLOGUE
  5. CHAPTER 1
  6. CHAPTER 2
  7. CHAPTER 3
  8. CHAPTER 4
  9. CHAPTER 5
  10. CHAPTER 6
  11. CHAPTER 7
  12. CHAPTER 8
  13. CHAPTER 9
  14. CHAPTER 10
  15. CHAPTER 11
  16. CHAPTER 12
  17. CHAPTER 13
  18. CHAPTER 14
  19. CHAPTER 15
  20. CHAPTER 16
  21. CHAPTER 17
  22. CHAPTER 18
  23. CHAPTER 19
  24. CHAPTER 20
  25. CHAPTER 21
  26. CHAPTER 22
  27. CHAPTER 23
  28. CHAPTER 24
  29. CHAPTER 25
  30. CHAPTER 26
  31. CHAPTER 27
  32. CHAPTER 28
  33. CHAPTER 29
  34. CHAPTER 30
  35. CHAPTER 31
  36. CHAPTER 32
  37. CHAPTER 33
  38. CHAPTER 34
  39. CHAPTER 35
  40. CHAPTER 36
  41. CHAPTER 37
  42. CHAPTER 38
  43. CHAPTER 39
  44. CHAPTER 40
  45. CHAPTER 41
  46. CHAPTER 42
  47. CHAPTER 43
  48. CHAPTER 44
  49. CHAPTER 45
  50. CHAPTER 46
  51. CHAPTER 47
  52. If you enjoyed CHAOS, try:
  53. About the Author
  54. ALSO BY PATRICIA CORNWELL
  55. About the Publisher

“I don’t know. Usually there’s lots of people and I stay out of the way of bikes,” the girl in yellow says slowly in the same blunted tone, and no matter what I was told, I can’t quite believe what I’m seeing in the uneven illumination, the chiaroscuro created by our flashlights.

During one of our badly connected phone conversations as Marino was on his way to pick me up, he mentioned twins. I didn’t give it much thought but to stand before them especially under the circumstances is extremely disconcerting. I find myself literally doing a double take as I look from one to the other, both of them dark-haired with identical unflattering helmetlike cuts.

The matching unstylish glasses they have on remind me of yearbook pranks, of inking nerdy black frames on the face of a rival’s photograph. The girls are built the same, under five feet tall and heavy. They wear striped T-shirts, shorts and sandals that fortunately for me don’t match. If the twins weren’t wearing different colored clothing I’m not sure I could tell them apart.

“Wait here, okay? You know what to do, don’t you? You stay right here and don’t go anywhere. Stay. And I’ll be back.” Barclay talks to the girls as if they’re a lower order of a pet such as a rabbit or a lizard.

He strides toward us, and I check my phone to see if there’s any word from Rusty and Harold.

I HEAR THE TRUCK as I’m about to call, and I press END.

The rumble of the diesel engine is unmistakable, and I look back in the direction of John F. Kennedy Street. I can see headlights cutting through the park as a white CFC truck that’s bigger than an ambulance bumps off the pavement and creeps under trees. The low-hanging branches scrape the boxy metal roof, making a terrible screeching sound that has the effect of nails on a chalkboard.

“Good. Maybe we can get going here so we can figure out who we need to be notifying and talking to,” Barclay says too authoritatively as he reaches Marino and me. “The sooner we can process the scene and get the body to the morgue, the better,” he adds as Marino ignores him.

My eyes have adjusted to the contrasting shades of light and shadow, and I can better make out the twins some distance from us where Barclay was a moment ago. A female uniformed officer is with them now, asking if they need water or food. She wants to know if they’d like to wait in an air-conditioned patrol car. She says it as if they’ve been asked this before, and they shake their heads no. I have a pretty good idea what will happen next.