Back Chaos Save as PDF
Chapters (55)
  1. Title Page
  2. Dedication
  3. Epigraph
  4. PROLOGUE
  5. CHAPTER 1
  6. CHAPTER 2
  7. CHAPTER 3
  8. CHAPTER 4
  9. CHAPTER 5
  10. CHAPTER 6
  11. CHAPTER 7
  12. CHAPTER 8
  13. CHAPTER 9
  14. CHAPTER 10
  15. CHAPTER 11
  16. CHAPTER 12
  17. CHAPTER 13
  18. CHAPTER 14
  19. CHAPTER 15
  20. CHAPTER 16
  21. CHAPTER 17
  22. CHAPTER 18
  23. CHAPTER 19
  24. CHAPTER 20
  25. CHAPTER 21
  26. CHAPTER 22
  27. CHAPTER 23
  28. CHAPTER 24
  29. CHAPTER 25
  30. CHAPTER 26
  31. CHAPTER 27
  32. CHAPTER 28
  33. CHAPTER 29
  34. CHAPTER 30
  35. CHAPTER 31
  36. CHAPTER 32
  37. CHAPTER 33
  38. CHAPTER 34
  39. CHAPTER 35
  40. CHAPTER 36
  41. CHAPTER 37
  42. CHAPTER 38
  43. CHAPTER 39
  44. CHAPTER 40
  45. CHAPTER 41
  46. CHAPTER 42
  47. CHAPTER 43
  48. CHAPTER 44
  49. CHAPTER 45
  50. CHAPTER 46
  51. CHAPTER 47
  52. If you enjoyed CHAOS, try:
  53. About the Author
  54. ALSO BY PATRICIA CORNWELL
  55. About the Publisher

I look out the windows, and the park and the river are just minutes ahead. I can see the brick Widener Library with its teal cupola, and the stone slate-roofed department of linguistics. I’m surprised and unsettled by what Marino just told me. If Tom Barclay was the source of the information, that’s unfortunate.

“I see,” I again say. “So it wasn’t a patrol officer who was the first responder.”

“Nope. It was Clay,” Marino answers, and Clay, or Investigator Barclay as I know him, recently was transferred from property crimes to the major case unit.

I haven’t really worked with him directly but one of my medical examiners had a case with him earlier in the week and complained about him. Barclay is much too sure of himself and doesn’t know when to shut up. He may have attended the crime-scene academy but that doesn’t give him the expertise to identify and interpret artifacts such as rigor and livor mortis, and other changes that occur after death. A little knowledge can be a dangerous thing when you’re cocky.

“The detail about rigor is perplexing and troublesome,” I tell Marino over the thunder of his driving like a rocket. “He’s been around dead bodies before.”

“Not many.”

“But some. And he should recognize certain obvious postmortem changes,” I add, “and hopefully not confuse or misrepresent them. But it would seem like a strange mistake to make if he’s stated for the record that she’s already going into rigor when in fact she’s not. And he shouldn’t be stating anything to you that you in turn pass on to me. All of it constitutes a paper trail, a record that we might wish we didn’t have.”

I emphasize for the record because Marino’s relaying to me what Investigator Barclay reported could become problematic if it’s documented or circulated. The dead woman and any associated biological evidence are my legal jurisdiction, meaning I’m present in an official capacity.

I’m not here as Marino’s mother, wife, friend, partner, mentor or pal, and very little is private anymore. Unfortunately, any information we exchange doesn’t constitute some sort of legally protected small talk. We can get asked anything when we’re under oath.

“Clay’s new. He’s never worked a homicide, and he thinks he’s a genius. Beyond that what can I tell you?” Marino replies. “I guess we’ll see for ourselves, but he said she was stiff. He touched her and she felt as stiff as a mannequin. That’s what he told me.”

“If he wasn’t sure or didn’t know, I wish he hadn’t said it.” This is disappointing and may come back to bite us. “It’s worse because it’s a detective saying it.”