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Chapters (55)
  1. Title Page
  2. Dedication
  3. Epigraph
  4. PROLOGUE
  5. CHAPTER 1
  6. CHAPTER 2
  7. CHAPTER 3
  8. CHAPTER 4
  9. CHAPTER 5
  10. CHAPTER 6
  11. CHAPTER 7
  12. CHAPTER 8
  13. CHAPTER 9
  14. CHAPTER 10
  15. CHAPTER 11
  16. CHAPTER 12
  17. CHAPTER 13
  18. CHAPTER 14
  19. CHAPTER 15
  20. CHAPTER 16
  21. CHAPTER 17
  22. CHAPTER 18
  23. CHAPTER 19
  24. CHAPTER 20
  25. CHAPTER 21
  26. CHAPTER 22
  27. CHAPTER 23
  28. CHAPTER 24
  29. CHAPTER 25
  30. CHAPTER 26
  31. CHAPTER 27
  32. CHAPTER 28
  33. CHAPTER 29
  34. CHAPTER 30
  35. CHAPTER 31
  36. CHAPTER 32
  37. CHAPTER 33
  38. CHAPTER 34
  39. CHAPTER 35
  40. CHAPTER 36
  41. CHAPTER 37
  42. CHAPTER 38
  43. CHAPTER 39
  44. CHAPTER 40
  45. CHAPTER 41
  46. CHAPTER 42
  47. CHAPTER 43
  48. CHAPTER 44
  49. CHAPTER 45
  50. CHAPTER 46
  51. CHAPTER 47
  52. If you enjoyed CHAOS, try:
  53. About the Author
  54. ALSO BY PATRICIA CORNWELL
  55. About the Publisher

“I told you he wouldn’t tell me scarcely anything the person said. He wouldn’t discuss it in detail, and legally I can push this, Benton. I have a right to face my accuser, and in this case the accuser is the person who’s lying about me on that recording. I want to hear it for myself—with my own ears. There are no legal grounds for withholding that recording from me unless you think I’m implicated in a federal crime. And last I checked, disturbing the peace wasn’t.”

This is exactly what Benton wants me to do—to threaten him in a confrontational offended way that doesn’t really reflect my true feelings. What I mustn’t do is treat him like my husband when it comes to this particular matter, which ironically he wouldn’t know about in the first place if we weren’t a couple. He needs to be Special Agent Benton Wesley this moment and I need to be the Chief, and we’ve been down this road many times.

He turns another page in the carte des vins. “I think we should have white wine,” he says. “But it depends on what you want to eat. We’ll have just enough to taste and cork the rest for later, after we finally get home.”

“It would take nothing more than a Freedom of Information Act request. But it’s stupid to make me go through that. I was thinking about fish. Something light.” I open my menu without picking it up as he reaches down next to his chair and finds his briefcase.

He places it in his lap, and I hear the bright snap of the locks again.

“Remember what my eighth-grade teacher said to me?” He pulls out his wireless headset in its zip-up case. “Good ol’ Mr. Broadmoor …”

“Who declared that one day you’re going to get what you ask for and be sorry,” I finish the anecdote for Benton, one he repeats often when he’s sure it applies to me.

“It won’t be pleasant and I’d rather spare you.” He unzips the small black case. “But as you know, the laws about nine-one-one recordings are rather murky in Massachusetts. There’s no statute that tells me you can’t listen. You’re right about that.”

He hands the headset to me and I put it on. He places his phone in the middle of the table, and touches several prompts on the display. I hear static and clicking in stereo. Then:

“Nine-one-one, what is your emergency?” The dispatcher is a woman, and I recognize her voice from the chronic radio chatter in my life.

“Hello. It’s not exactly an emergency but I think the police should know that one of our esteemed public servants is disturbing the peace in front of God and everyone in Harvard Square.”