Back Chaos
Chapters (55)
  1. Title Page
  2. Dedication
  3. Epigraph
  4. PROLOGUE
  5. CHAPTER 1
  6. CHAPTER 2
  7. CHAPTER 3
  8. CHAPTER 4
  9. CHAPTER 5
  10. CHAPTER 6
  11. CHAPTER 7
  12. CHAPTER 8
  13. CHAPTER 9
  14. CHAPTER 10
  15. CHAPTER 11
  16. CHAPTER 12
  17. CHAPTER 13
  18. CHAPTER 14
  19. CHAPTER 15
  20. CHAPTER 16
  21. CHAPTER 17
  22. CHAPTER 18
  23. CHAPTER 19
  24. CHAPTER 20
  25. CHAPTER 21
  26. CHAPTER 22
  27. CHAPTER 23
  28. CHAPTER 24
  29. CHAPTER 25
  30. CHAPTER 26
  31. CHAPTER 27
  32. CHAPTER 28
  33. CHAPTER 29
  34. CHAPTER 30
  35. CHAPTER 31
  36. CHAPTER 32
  37. CHAPTER 33
  38. CHAPTER 34
  39. CHAPTER 35
  40. CHAPTER 36
  41. CHAPTER 37
  42. CHAPTER 38
  43. CHAPTER 39
  44. CHAPTER 40
  45. CHAPTER 41
  46. CHAPTER 42
  47. CHAPTER 43
  48. CHAPTER 44
  49. CHAPTER 45
  50. CHAPTER 46
  51. CHAPTER 47
  52. If you enjoyed CHAOS, try:
  53. About the Author
  54. ALSO BY PATRICIA CORNWELL
  55. About the Publisher

I also don’t trust Benton’s imperviousness to the helicopter that’s begun flying up and down the river. Or maybe it’s more than one. But he acts as if he doesn’t notice what at this hour isn’t a sightseeing tour, and it sounds too big to be a local TV news crew. I have a feeling the Feds have started showing up or are about to, and I don’t think Marino suspects what’s going on. Probably because oblivion is better, and as I rest and hydrate I give him another second or two before he faces reality in a most unhappy way. I know a not-so-friendly takeover when I see one.

“… The question’s also going to be why she really left their employment,” Benton is talking to Marino about the Portisons in London and their former au pair Elisa Vandersteel. “Because if the family was happy with her they would move heaven and earth to hang on to her. Why did she leave?”

“Maybe her visa.”

“There are ways around that if the family wanted to keep her and she wanted to stay. The two boys are older though. Thirteen and fourteen, and it may be as simple as they don’t need someone looking after them anymore.”

“What two boys? How the hell do you know that? Did Lucy tell you?”

But Benton doesn’t feel obligated to answer questions unless it suits him. He’s asking and commenting about the case as if he’s in charge, and Marino is beginning to fidget and get flustered. After carefully packing his Pelican case, he’s suddenly kneeling back on the grass to reopen it as if he doesn’t know what to do with himself.

“Yeah, I know what the questions are,” he retorts, unsnapping clasps, and he’s getting defensive and louder. “You must have talked to Lucy and I don’t know why because last I checked this wasn’t your damn case.”

“Maybe she found out something from the people at the theater?” Benton doesn’t answer that question either as he looks toward the body some fifty feet away. “For example, what or who brought her to Cambridge?”

Marino opens the big lid on his scene case.

“The question is whether Elisa Vandersteel was an intended target or simply random—in the wrong place at the wrong time.”

“Whose question?” Marino begins rechecking the evidence he packaged, and I see his paranoia and anger grow by leaps and bounds. “I thought you were here to talk about Briggs.” His hot flushed face stares warily at Benton as the truth sinks in.