Back Chaos
Chapters (55)
  1. Title Page
  2. Dedication
  3. Epigraph
  4. PROLOGUE
  5. CHAPTER 1
  6. CHAPTER 2
  7. CHAPTER 3
  8. CHAPTER 4
  9. CHAPTER 5
  10. CHAPTER 6
  11. CHAPTER 7
  12. CHAPTER 8
  13. CHAPTER 9
  14. CHAPTER 10
  15. CHAPTER 11
  16. CHAPTER 12
  17. CHAPTER 13
  18. CHAPTER 14
  19. CHAPTER 15
  20. CHAPTER 16
  21. CHAPTER 17
  22. CHAPTER 18
  23. CHAPTER 19
  24. CHAPTER 20
  25. CHAPTER 21
  26. CHAPTER 22
  27. CHAPTER 23
  28. CHAPTER 24
  29. CHAPTER 25
  30. CHAPTER 26
  31. CHAPTER 27
  32. CHAPTER 28
  33. CHAPTER 29
  34. CHAPTER 30
  35. CHAPTER 31
  36. CHAPTER 32
  37. CHAPTER 33
  38. CHAPTER 34
  39. CHAPTER 35
  40. CHAPTER 36
  41. CHAPTER 37
  42. CHAPTER 38
  43. CHAPTER 39
  44. CHAPTER 40
  45. CHAPTER 41
  46. CHAPTER 42
  47. CHAPTER 43
  48. CHAPTER 44
  49. CHAPTER 45
  50. CHAPTER 46
  51. CHAPTER 47
  52. If you enjoyed CHAOS, try:
  53. About the Author
  54. ALSO BY PATRICIA CORNWELL
  55. About the Publisher

I like something I can remove easily once the body is on the table in the autopsy room. A hair, a fleck of paint, a fiber, DNA—it could be anything. I’ll move heaven and earth not to lose or contaminate it. But if one doesn’t understand my reasoning, what I’ve just done looks like an appalling way to treat a dead body. It’s what Marino calls a whack and sack. That’s your reward for getting hit by a train, killed in a plane crash, for being murdered. Dr. Death comes along and bags your pieces and parts like trash collected along the highway, according to him.

At least I repositioned her arms from straight up over her head to down by her sides so we can fit her into a final bag, the biggest one, a body pouch, and I’m reminded that death and dignity don’t belong in the same sentence. Opening drawers in my scene case, I find a sterile needle, and then Marino is back. I recognize the thickly contoured gold skull with its deep-set blackened eyes and gap-toothed grin.

I feel the weight of it inside its labeled bag, noting that the pendant doesn’t look damaged, just dusty. I touch the needle to it through clear plastic and feel the faint magnetic tug.

“It must be gold-plated steel or there’s some other alloy present. Gold is an excellent conductor of electricity but it wouldn’t get magnetized unless it’s not pure.” I return the bag to Marino, and my fatigue is on its way to crushing.

I don’t feel very good. I should take a break but there’s not time.

“If it was lightning,” Marino counters, “how come I didn’t hear any thunder around here late this afternoon or early evening? You can’t have lightning without thunder.”

What he says is true because lightning causes thunder. One can’t exist without the other. I propose that we might not detect so much as a rumble if the storm is twenty or thirty miles from here. We might not have a clue there’s anything to worry about as we step outdoors for a walk, a swim, a game of golf. But a flash of lightning can travel a great distance from the storm generating it.

“That’s where we get the expression a bolt out of the blue.” My tongue is making sticky sounds as I talk. “And when you look at a chaotic scene like this you can understand people coming up with such ridiculous things as an act of God or spontaneous human combustion. When what they probably were dealing with was a damn lightning strike.” I’m beginning to get irritable, to have sharp corners. “It would have been especially confusing if the nearest storm was many miles away, having already moved through.”