Back Chaos
Chapters (55)
  1. Title Page
  2. Dedication
  3. Epigraph
  4. PROLOGUE
  5. CHAPTER 1
  6. CHAPTER 2
  7. CHAPTER 3
  8. CHAPTER 4
  9. CHAPTER 5
  10. CHAPTER 6
  11. CHAPTER 7
  12. CHAPTER 8
  13. CHAPTER 9
  14. CHAPTER 10
  15. CHAPTER 11
  16. CHAPTER 12
  17. CHAPTER 13
  18. CHAPTER 14
  19. CHAPTER 15
  20. CHAPTER 16
  21. CHAPTER 17
  22. CHAPTER 18
  23. CHAPTER 19
  24. CHAPTER 20
  25. CHAPTER 21
  26. CHAPTER 22
  27. CHAPTER 23
  28. CHAPTER 24
  29. CHAPTER 25
  30. CHAPTER 26
  31. CHAPTER 27
  32. CHAPTER 28
  33. CHAPTER 29
  34. CHAPTER 30
  35. CHAPTER 31
  36. CHAPTER 32
  37. CHAPTER 33
  38. CHAPTER 34
  39. CHAPTER 35
  40. CHAPTER 36
  41. CHAPTER 37
  42. CHAPTER 38
  43. CHAPTER 39
  44. CHAPTER 40
  45. CHAPTER 41
  46. CHAPTER 42
  47. CHAPTER 43
  48. CHAPTER 44
  49. CHAPTER 45
  50. CHAPTER 46
  51. CHAPTER 47
  52. If you enjoyed CHAOS, try:
  53. About the Author
  54. ALSO BY PATRICIA CORNWELL
  55. About the Publisher

Iraq, Afghanistan, Syria, Turkey, Cameroon, Yemen, and she’s never really sure. Often she’s not told but lives the anguish of knowing that whenever he boards a military transport jet or lands on an aircraft carrier she may never see him again. Her life has been Briggs and nothing but Briggs, and if she doesn’t want someone to access him, that person won’t, including me. Depending on what’s at stake, if he doesn’t want to deal with me directly, it’s Ruthie I hear from.

So I’m accustomed to her mediation, her triangulation, and now and then it tests my patience. But she sounds unusually raw and emotional in the message she’s just left, and I can’t tell if she’s been crying, drinking, is sick or maybe all of the above. I play the voice mail again. Then again, pausing at intervals, listening carefully, trying to determine if something is wrong with her or if she’s simply feeling bad about the reason she’s calling. I’m pretty sure I know what it is. I’ve been expecting it.

“Kay? It’s Ruthie Briggs,” she begins in her slow Virginia drawl, and she sounds tired and congested. “I’m hoping you’ll pick up. Are you there?” she says stuffily. “Hello, Kay?” She clears her throat. “Are you there? I know how busy you are but please pick up. Well when you get this please call me. I want to make sure you’ve been told …”

But her voice is muffled, and then it’s as if she’s swallowed her words and I can scarcely hear her. It occurs to me that she might be holding something, perhaps tissues in front of her face, and that she’s turning away from the phone as she speaks.

“For the next little while I’m at this number, then … Well as you can imagine there’s a lot to do, and I just can’t believe …” Her voice quavers. “… Well please call me as soon as you can.” In her befuddlement she leaves her phone number as if I don’t have it.

And the voice mail abruptly ends.

IF WHAT I SUSPECT has come to pass, there’s no reason for Ruthie to be upset. It couldn’t be helped, and at least the cancellation isn’t as last minute as it could have been.

All along I’ve been primed for getting a call literally right before Briggs and I are supposed to be onstage at the Kennedy School. At least I’ve been given almost twenty-four hours’ notice, and it’s not like I haven’t been warned repeatedly. He’s told me from day one that he might not be able to appear with me tomorrow night. It all depends on the mood at the Pentagon and NASA, he’s said, and he’s apologized in advance for what’s probably just happened.