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Chapters (55)
  1. Title Page
  2. Dedication
  3. Epigraph
  4. PROLOGUE
  5. CHAPTER 1
  6. CHAPTER 2
  7. CHAPTER 3
  8. CHAPTER 4
  9. CHAPTER 5
  10. CHAPTER 6
  11. CHAPTER 7
  12. CHAPTER 8
  13. CHAPTER 9
  14. CHAPTER 10
  15. CHAPTER 11
  16. CHAPTER 12
  17. CHAPTER 13
  18. CHAPTER 14
  19. CHAPTER 15
  20. CHAPTER 16
  21. CHAPTER 17
  22. CHAPTER 18
  23. CHAPTER 19
  24. CHAPTER 20
  25. CHAPTER 21
  26. CHAPTER 22
  27. CHAPTER 23
  28. CHAPTER 24
  29. CHAPTER 25
  30. CHAPTER 26
  31. CHAPTER 27
  32. CHAPTER 28
  33. CHAPTER 29
  34. CHAPTER 30
  35. CHAPTER 31
  36. CHAPTER 32
  37. CHAPTER 33
  38. CHAPTER 34
  39. CHAPTER 35
  40. CHAPTER 36
  41. CHAPTER 37
  42. CHAPTER 38
  43. CHAPTER 39
  44. CHAPTER 40
  45. CHAPTER 41
  46. CHAPTER 42
  47. CHAPTER 43
  48. CHAPTER 44
  49. CHAPTER 45
  50. CHAPTER 46
  51. CHAPTER 47
  52. If you enjoyed CHAOS, try:
  53. About the Author
  54. ALSO BY PATRICIA CORNWELL
  55. About the Publisher

I’m not Lucy. I can’t begin to approach her level of technical sophistication, and as soon as we have a private moment I’ll get her to search. I check my phone again, and can tell by the digits displayed in the icons of certain proprietary apps whether anything new has landed. Nothing has that I consider a priority at the moment, and I hope Lucy’s all right. When I think about what’s happened so far today I can easily imagine her state of mind. I have a very good idea what she’s thinking.

Or better put, who’s shadowing her thoughts, gaining on her in leaps and bounds right about now, and it’s depressing. It’s a falling off the wagon of sorts because an enemy, a nemesis will become an addiction if one’s not careful. Lucy isn’t and never has been. She can’t be. It’s too personal for her. She’s going to get worked up and paranoid in a way that Marino, Benton and I never have and won’t when it comes to a certain human virus who infected her decades ago.

I decide I may as well head back out into the elements to see how we’re coming along with the canopied barrier, which has been trickier than we anticipated. Spray-painting the footprint has been a frustration and a headache because we can’t turn on the auxiliary lights without exposing the entire scene to anyone who might be watching and ready with cameras. It’s very dark despite the multiple flashlights poking and prodding. The terrain is uneven, and there are tall hedges, benches and lampposts in the way.

The first attempt wasn’t working so we had to stop, and trying again has proven a worse mess than imagined. First Marino’s bright orange outline had to be painted over in black, then the area was measured again and reconfigured as we made sure we weren’t going to be setting the tent on top of evidence. The second attempt wasn’t much better, and as I’m thinking this I’m well aware that Marino, Rusty and Harold are still at it and will be for a while longer.

It’s become quite the engineering challenge to enclose the bicycle, the body, and as many personal effects as possible while avoiding bushes and trees, and causing any potential damage to the scene. But if they don’t manage to get the tent pitched fairly soon, I’m going to have to improvise. This has gone on too long already. It’s not according to plan, and someone’s going to say something. Probably Tom Barclay.