Contents ( 83)
- 1
- 2011
- This Ain’t the Summer of Love
- 2
- 3
- 4
- 5
- 6
- Jeff Whittaker
- 7
- Good to Feel Hungry
- 8
- 9
- One Step Ahead of the Devil
- 10
- 11
- 12
- 13
- 14
- 15
- 16
- 17
- The Girl That Love Made Blind
- 18
- 19
- Workshop of the Telescopes
- 20
- 21
- 22
- 23
- 24
- 25
- Hardacre and Hall
- 26
- 27
- 28
- 29
- I Just Like to Be Bad
- 30
- 31
- 32
- 33
- 34
- 35
- Dominance and Submission
- 36
- 37
- 38
- Dance on Stilts
- 39
- 40
- 41
- 42
- 43
- 44
- Then Came the Last Days of May
- 45
- 46
- Subhuman
- 47
- 48
- Here Comes That Feeling
- 49
- 50
- 51
- 52
- 53
- 54
- 55
- 56
- 57
- 58
- Deadline
- 59
- 60
- Vengeance (The Pact)
- 61
- 62
- ACKNOWLEDGMENTS
- ABOUT THE AUTHOR
- Also by Robert Galbraith
- CREDITS
- Copyright
Staring out across the expanse of velvety grass, Strike remembered Whittaker, stinking and smoking in the corner of the squat while Leda lay beside him, listening open-mouthed to the tales of his hard life—credulous and greedy as a baby bird, as Strike now saw it, for the yarns Whittaker spun her. From Leda’s point of view, Gordonstoun might as well have been Alcatraz: it was nothing short of outrageous that her slender poet had been forced out into the harsh Scottish winter to be pummeled and knocked about in the mud and the rain.
“Not rugby, darling. Oh, poor baby… you playing rugby!”
And when the seventeen-year-old Strike (sporting a fat lip from the boxing club at the time) had laughed, softly, into his homework, Whittaker had staggered to his feet, shouting in his obnoxious mockney:
“What are you facking laughing about, meathead?”
Whittaker could not stand laughter at his expense. He needed, craved adulation; in its absence, he would take fear or even loathing as evidence of his power, but ridicule was evidence of another’s assumed superiority and consequently unbearable.
“You’d facking love it, wouldn’t you, you stupid little tit? Think you’re facking officer class already, dontcha, out with the rugger buggers. Get his rich daddy to send him to facking Gordonstoun!” Whittaker had yelled at Leda.
“Calm down, darling!” she had said, and then, in slightly more peremptory terms: “No, Corm!”
Strike had stood up, braced, ready and eager to hit Whittaker. That had been the closest he had ever come to doing it, but his mother had staggered between them, a thin, beringed hand on each heaving chest.
Strike blinked and the bright sunlit pitch, a place of innocent endeavor and excitement, seemed to come back into focus. He could smell leaves, grass and the warm rubber from the road beside him. Slowly he turned and headed back towards the Ship Inn, craving a drink, but his treacherous subconscious was not done with him yet.
The sight of that smooth rugby pitch had unleashed another memory: black-haired, dark-eyed Noel Brockbank, running at him with the broken beer bottle in his hand. Brockbank had been massive, powerful and fast: a flanker. Strike remembered his own fist rising around the side of that broken bottle, connecting just as the glass touched his own neck—
A basal skull fracture, that’s what they had called it. Bleeding from the ear. A massive brain injury.
“Fuck, fuck, fuck,” mumbled Strike under his breath, in time with his own footsteps.
Laing, that’s what you’re here for. Laing.
He passed under the metal galleon with bright yellow sails that hung over the Ship Inn’s door. A sign just inside read MELROSE’S ONLY PUB.
He found the place instantly calming: a glow of warm color, shining glass and brass; a carpet that resembled a patchwork of faded browns, reds and greens; walls of warm peach and exposed stone. Everywhere were more indications of Melrose’s sporting obsession: blackboards announcing upcoming matches, several enormous plasma screens and, above the urinal (it had been hours since Strike had last peed), a small wall-mounted television, just in case a try was pending at the point a full bladder could no longer be ignored.