Back Career of Evil Save as PDF
Contents ( 83)
  1. 1
  2. 2011
  3. This Ain’t the Summer of Love
  4. 2
  5. 3
  6. 4
  7. 5
  8. 6
  9. Jeff Whittaker
  10. 7
  11. Good to Feel Hungry
  12. 8
  13. 9
  14. One Step Ahead of the Devil
  15. 10
  16. 11
  17. 12
  18. 13
  19. 14
  20. 15
  21. 16
  22. 17
  23. The Girl That Love Made Blind
  24. 18
  25. 19
  26. Workshop of the Telescopes
  27. 20
  28. 21
  29. 22
  30. 23
  31. 24
  32. 25
  33. Hardacre and Hall
  34. 26
  35. 27
  36. 28
  37. 29
  38. I Just Like to Be Bad
  39. 30
  40. 31
  41. 32
  42. 33
  43. 34
  44. 35
  45. Dominance and Submission
  46. 36
  47. 37
  48. 38
  49. Dance on Stilts
  50. 39
  51. 40
  52. 41
  53. 42
  54. 43
  55. 44
  56. Then Came the Last Days of May
  57. 45
  58. 46
  59. Subhuman
  60. 47
  61. 48
  62. Here Comes That Feeling
  63. 49
  64. 50
  65. 51
  66. 52
  67. 53
  68. 54
  69. 55
  70. 56
  71. 57
  72. 58
  73. Deadline
  74. 59
  75. 60
  76. Vengeance (The Pact)
  77. 61
  78. 62
  79. ACKNOWLEDGMENTS
  80. ABOUT THE AUTHOR
  81. Also by Robert Galbraith
  82. CREDITS
  83. Copyright

“Martin!” said Linda sharply. “Mind your language!”

“Does she have a go at you for still having both legs, Matt?” asked Martin.

Robin dropped her knife and fork and walked out of the kitchen.

The image of the severed leg was before her again, with its shining white tibia sticking out of the dead flesh, those slightly grubby toenails whose owner had meant, perhaps, to clean or paint before anybody else would see them…

And now she was crying, crying for the first time since she had taken the package. The pattern on the old stair carpet blurred and she had to grope for the doorknob of her bedroom. She crossed to the bed and dropped, face down, onto the clean duvet, her shoulders shaking and her chest heaving, her hands pressed over her wet face as she tried to muffle the sound of her sobs. She did not want any of them to come after her; she did not want to have to talk or explain; she simply wanted to be alone to release the emotion she had tamped down to get through the working week.

Her brother’s glibness about Strike’s amputation was an echo of Strike’s own jokes about the dismembered leg. A woman had died in what were likely to have been terrible, brutal circumstances, and nobody seemed to care as much as Robin did. Death and a hatchet had reduced the unknown female to a lump of meat, a problem to be solved and she, Robin, felt as though she was the only person to remember that a living, breathing human being had been using that leg, perhaps as recently as a week ago…

After ten minutes’ solid weeping she rolled over onto her back, opened her streaming eyes and looked around her old bedroom as though it might give her succor.

This room had once seemed like the only safe place on earth. For the three months after she had dropped out of university she had barely left it, even to eat. The walls had been shocking pink back then, a mistaken decorating choice she had made when she was sixteen. She had dimly recognized that it did not work, but had not wanted to ask her father to repaint, so she had covered the garish glare with as many posters as possible. There had been a large picture of Destiny’s Child facing her at the foot of the bed. Though there was nothing there now but the smooth eau de nil wallpaper Linda had put up when Robin left home to join Matthew in London, Robin could still visualize Beyoncé, Kelly Rowland and Michelle Williams staring at her out of the cover of their album Survivor. The image was indelibly connected with the worst time of her life.

The walls bore only two framed photographs these days: one of Robin with her old sixth form on their last day of school (Matthew at the back of the shot, the most handsome boy in the year, refusing to pull a face or wear a stupid hat) and the other of Robin, aged twelve, riding her old Highland pony Angus, a shaggy, strong and stubborn creature who had lived on her uncle’s farm and on whom Robin had doted, his naughtiness notwithstanding.