Back Career of Evil Save as PDF
Contents ( 83)
  1. 1
  2. 2011
  3. This Ain’t the Summer of Love
  4. 2
  5. 3
  6. 4
  7. 5
  8. 6
  9. Jeff Whittaker
  10. 7
  11. Good to Feel Hungry
  12. 8
  13. 9
  14. One Step Ahead of the Devil
  15. 10
  16. 11
  17. 12
  18. 13
  19. 14
  20. 15
  21. 16
  22. 17
  23. The Girl That Love Made Blind
  24. 18
  25. 19
  26. Workshop of the Telescopes
  27. 20
  28. 21
  29. 22
  30. 23
  31. 24
  32. 25
  33. Hardacre and Hall
  34. 26
  35. 27
  36. 28
  37. 29
  38. I Just Like to Be Bad
  39. 30
  40. 31
  41. 32
  42. 33
  43. 34
  44. 35
  45. Dominance and Submission
  46. 36
  47. 37
  48. 38
  49. Dance on Stilts
  50. 39
  51. 40
  52. 41
  53. 42
  54. 43
  55. 44
  56. Then Came the Last Days of May
  57. 45
  58. 46
  59. Subhuman
  60. 47
  61. 48
  62. Here Comes That Feeling
  63. 49
  64. 50
  65. 51
  66. 52
  67. 53
  68. 54
  69. 55
  70. 56
  71. 57
  72. 58
  73. Deadline
  74. 59
  75. 60
  76. Vengeance (The Pact)
  77. 61
  78. 62
  79. ACKNOWLEDGMENTS
  80. ABOUT THE AUTHOR
  81. Also by Robert Galbraith
  82. CREDITS
  83. Copyright

The entire area was paved for pedestrians, but a battered gray transit van had been parked a short distance from the pub entrance, giving Strike useful cover as he lurked, debating his options. No purpose would be served at this juncture by coming face to face with Whittaker and the pub looked too small to avoid being seen by his ex-stepfather, if that was whom Stephanie was meeting. All he really wanted was a chance to measure Whittaker’s current appearance against that of the figure in the beanie hat and, perhaps, the man in the camouflage jacket who had been watching the Court.

Strike leaned up against the van and lit a cigarette. He had just resolved to find a vantage point that was a little further away, so that he might observe whom Stephanie left the pub with, when the rear doors of the van behind which he was lurking suddenly opened.

Strike took several hasty steps backwards as four men clambered out of the back, along with a smoky haze that gave out a powerful, acrid smell of burned plastic that the ex-SIB man recognized immediately as crack.

All four were unkempt, their jeans and T-shirts filthy, their age hard to gauge because each of them was sunken-faced and prematurely wrinkled. The mouths of two of them had collapsed inwards onto gums that had lost teeth. Momentarily taken aback to find the clean-suited stranger at such close quarters, they seemed to understand from his startled expression that he had not known what was happening inside and slammed the van doors.

Three of them swaggered off towards the pub, but the fourth man did not leave. He was staring at Strike, and Strike was staring right back at him. It was Whittaker.

He was bigger than Strike remembered. Although he had known that Whittaker was almost as tall as he was, he had forgotten the scale of him, the breadth of his shoulders, the heft of the bones beneath his heavily tattooed skin. His thin T-shirt, emblazoned with the logo of the band Slayer, which was both militaristic and occult, blew back against him as they stood facing each other, revealing the outline of ribs.

His yellow face looked freeze-dried like an old apple, the flesh wasted, the skin shrunken against the bone, with cavities beneath the high cheekbones. His matted hair was thinning at the temples: it hung in rats’ tails around his stretched earlobes, each of which was adorned with a silver flesh tunnel. There they stood, Strike in his Italian suit, abnormally well groomed, and Whittaker, stinking of crack fumes, his heretic priest’s golden eyes now set beneath wrinkled, sagging lids.

Strike could not have said how long they stared at each other, but a stream of perfectly coherent thoughts passed through his mind while they did…

If Whittaker were the killer, he might be panicked but not too surprised to see Strike. If he were not the killer, his shock at finding Strike right outside his van ought to be extreme. Yet Whittaker had never behaved like other people. He always liked to appear unshockable and omniscient.