Chapters (60)
- Cover
- Title Page
- Note to Reader
- Dedication
- I
- In prison
- The whitewashed walls
- The Leopard
- Even all night long
- I was working
- “As with rosy steps the morn”
- Dear Family,
- Canoe
- The Japanese garden
- Ghost Elephants
- On a Passenger Ferry
- Then Abraham
- Traveler
- Coyote
- Hawkins Stable
- II
- Who watches
- Time is matter here
- Earth and the Librarian
- Her car
- The World inside This One
- Poet
- (Two were seen leaving.)
- The treeless hill
- The just-born rabbits
- The valley
- On the bus
- The branches
- Red cloth
- III
- Don’t silence yourself, No te calles
- Eurydice who guides
- If a Person Visits Someone in a Dream, in Some Cultures the Dreamer Thanks Them
- I dropped a plate
- Desert Prison
- You ask,
- The Young Mother
- I thought It’s time
- On the CD, in the rainstorm
- Old love, I want to phone you
- Diana
- The older man among us
- He Disappeared into Complete Silence
- I am fain a page in the court of space
- IV
- Lucy
- My Work of Art
- Your Picture
- Outsider Art
- Notes
- About the Author
- Books by Jean Valentine
- Link
- Acknowledgments
- Special Thanks
like wildflowers, which have nowhere else to grow.
Then a blue panther, a twenty-six-cent stamp
from Florida, for postcards
Then a catalpa leaf curving
from its huge curving stem, the leaf
a little broken in its passing
from the West down to the East
and the note: I found this leaf
on my way to the Post Office.
Then Lucy you: hominid? sapiens?
sapere, to taste, be wise
Your skeleton
standing about, like a wildflower…
Lucy, what you want,
that I will do.
To hear you now.
Your poem. (But you need nothing.)
The deer and the wild turkeys
that draw close now to hear you.
My life is for.
In its language.
Your voice.
I can’t tell cold from heat.
Anxiety
dust.
Death, no
not even dust.
Your Picture
Brown museum hair, brushed the way they brush it there,
brow lit from inside,
intelligent eyebrows,
a slightly wrinkly nose, a little flat—
brown woman, I want your nose, your
cheekbones of light—I was brown, I got white—
Your large and friendly mouth, half-open
in a half-smile,
like the Dalai Lama once, in a procession,
his smile “What am I doing here?”
But Lucy
your eyes.
So I gave all I had to the poor, standing about
like wildflowers.
Lucy,
the spider moved, last night,
and again, this morning…
I wonder Do you sleep and wake
where you are now? Do spiders
hibernate? Do they lay eggs
in webs on windowpanes?
You must know
everything.
Enter the sweet Why
Don’t entreat it
or question why
whistle why
whisper why
was sweetness done to you
done unto you
What I wanted most the mother
has come to me
Will she stay in my ear? Lucy
Is it you?
Still all night long my
Lucy I entreat you
I will not let thee go except thou bless me.
Outsider Art
Martín Ramírez,
be with me!
“It looks just like a vagina,”
a bystander said. Yes
it is a vagina, with trains, and tunnels,
and like in the great cathedrals,
a clitoris, a starry one,
and a womb, jaunty Martín being born, Lucy
did you hear animal-woman
screams in the night?
Were you afraid?
Was it you last night
your scream over and over
as you give birth?
How did you pray, Lucy?
You were prayer.
Your hands and toes.
When writing came back to me
I prayed with lipstick
on the windshield
as I drove.
Newton made up with the world,
he had already turned himself
into gold, he was already there.
Skeleton Woman,
in down
over around
Bless:
from the Old English blētsian.
Its root is blood.
My head is at your window, Lucy, at your glass,
But we offer nothing but money now,
we beam it to each other near and far,
But you are my skeleton mother,
I bring you
coffee in your cemetery bed.
This morning I miss most of all you, Martín,
and her who when you were born