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Back Brass Verdict Save as PDF
Chapters (64)
  1. PART ONE
  2. One
  3. Two
  4. Three
  5. PART TWO
  6. Four
  7. Five
  8. Six
  9. Seven
  10. Eight
  11. Nine
  12. Ten
  13. Eleven
  14. Twelve
  15. Thirteen
  16. Fourteen
  17. Fifteen
  18. Sixteen
  19. Seventeen
  20. Eighteen
  21. Nineteen
  22. Twenty
  23. Twenty-one
  24. Twenty-two
  25. Twenty-three
  26. Twenty-four
  27. Twenty-five
  28. Twenty-six
  29. Twenty-seven
  30. Twenty-eight
  31. Twenty-nine
  32. Thirty
  33. Thirty-one
  34. Thirty-two
  35. Thirty-three
  36. PART THREE
  37. Thirty-four
  38. Thirty-five
  39. PART FOUR
  40. Thirty-six
  41. Thirty-seven
  42. Thirty-eight
  43. Thirty-nine
  44. Forty
  45. Forty-one
  46. Forty-two
  47. Forty-three
  48. Forty-four
  49. Forty-five
  50. Forty-six
  51. PART FIVE
  52. Forty-seven
  53. Forty-eight
  54. Forty-nine
  55. Fifty
  56. Fifty-one
  57. Fifty-two
  58. Fifty-three
  59. PART SIX
  60. Fifty-four
  61. Fifty-five
  62. Acknowledgments
  63. About the Author
  64. ALSO BY MICHAEL CONNELLY

Just then the clerk called the courtroom to order and the judge bounded up the steps to the bench.

“Okay, back on the record with California versus Elliot,” he said. “Let’s bring in our jury.”

Forty-eight

Forty-eight

The first witness for the defense was Julio Muniz, the freelance videographer from Topanga Canyon who got the jump on the rest of the local media and arrived ahead of the pack at the Elliot house on the day of the murders. I quickly established through my questions how Muniz made his living. He worked for no network or local news channel. He listened to police scanners in his home and car and picked up addresses for crime scenes and active police situations. He responded to these scenes with his video camera and took film he then sold to the local news broadcasts that had not responded. In regard to the Elliot case, it began for him when he heard a call-out for a homicide team on his scanner and went to the address with his camera.

“Mr. Muniz, what did you do when you arrived there?” I asked.

“Well, I got my camera out and started shooting. I noticed that they had somebody in the back of the patrol car and I thought that was probably a suspect. So I shot him and then I shot the deputies stringing crime scene tape across the front of the property, things like that.”

I then introduced the digital videocassette Muniz used that day as the first defense exhibit and rolled the video screen and player in front of the jury. I put in the cassette and hit “play.” It had been previously spooled to begin at the point that Muniz began shooting outside the Elliot house. As the video played, I watched the jurors paying close attention to it. I was already familiar with the video, having watched it several times. It showed Walter Elliot sitting in the back passenger seat of the patrol car. Because the video had been shot at an angle above the car, the 4A designation painted on its roof was clearly visible.

The video jumped from the car to scenes of the deputies cordoning off the house and then jumped back again to the patrol car. This time it showed Elliot being removed from the car by detectives Kinder and Ericsson. They uncuffed him and led him into the house.

Using a remote, I stopped the video and rewound it back to a point where Muniz had come in close on Elliot in the backseat of the patrol car. I started the video forward again and then froze the image so the jury could see Elliot leaning forward because his hands were cuffed behind his back.

“Okay, Mr. Muniz, let me draw your attention to the roof of the patrol car. What do you see painted there?”