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Back Brass Verdict Save as PDF
Chapters (64)
  1. PART ONE
  2. One
  3. Two
  4. Three
  5. PART TWO
  6. Four
  7. Five
  8. Six
  9. Seven
  10. Eight
  11. Nine
  12. Ten
  13. Eleven
  14. Twelve
  15. Thirteen
  16. Fourteen
  17. Fifteen
  18. Sixteen
  19. Seventeen
  20. Eighteen
  21. Nineteen
  22. Twenty
  23. Twenty-one
  24. Twenty-two
  25. Twenty-three
  26. Twenty-four
  27. Twenty-five
  28. Twenty-six
  29. Twenty-seven
  30. Twenty-eight
  31. Twenty-nine
  32. Thirty
  33. Thirty-one
  34. Thirty-two
  35. Thirty-three
  36. PART THREE
  37. Thirty-four
  38. Thirty-five
  39. PART FOUR
  40. Thirty-six
  41. Thirty-seven
  42. Thirty-eight
  43. Thirty-nine
  44. Forty
  45. Forty-one
  46. Forty-two
  47. Forty-three
  48. Forty-four
  49. Forty-five
  50. Forty-six
  51. PART FIVE
  52. Forty-seven
  53. Forty-eight
  54. Forty-nine
  55. Fifty
  56. Fifty-one
  57. Fifty-two
  58. Fifty-three
  59. PART SIX
  60. Fifty-four
  61. Fifty-five
  62. Acknowledgments
  63. About the Author
  64. ALSO BY MICHAEL CONNELLY

She shrugged and let a small smile slip out. And that was nice, too.

I watched them walk toward the elevator alcove, knowing they weren’t going home to my house and wondering how it was that I had messed up my life so badly.

“Hayley!” I called after them.

My daughter looked back at me.

“See you Wednesday. Pancakes!”

She was smiling as they joined the crowd waiting for an elevator. I noticed that my former wife was smiling, too. I pointed at her as I walked back toward the courtroom.

“And you can come, too.”

She nodded.

“We’ll see,” she said.

An elevator opened and they moved toward it. “We’ll see.” Those two words seemed to cover it all for me.

Forty

Forty

In any murder trial, the main witness for the prosecution is always the lead investigator. Because there are no living victims to tell the jury what happened to them, it falls upon the lead to tell the tale of the investigation as well as to speak for the dead. The lead investigator brings the hammer. He puts everything together for the jury, makes it clear and makes it sympathetic. The lead’s job is to sell the case to the jury and, like any exchange or transaction, it is often just as much about the salesman as it is about the goods being sold. The best homicide men are the best salesmen. I’ve seen men as hard as Harry Bosch on the stand shed a tear when they’ve described the last moments a murder victim spent on earth.

Golantz called the case’s lead investigator to the stand after the afternoon break. It was a stroke of genius and master planning. John Kinder would hold center stage until court was adjourned for the day, and the jurors would go home with his words to consider over dinner and then into the night. And there was nothing I could do about it but watch.

Kinder was a large, affable black man who spoke with a fatherly baritone. He wore reading glasses slipped down to the end of his nose when referring to the thick binder he’d carried with him to the stand. Between questions he would look over the rims at Golantz or the jury. His eyes seemed comfortable, kind, alert and wise. He was the one witness I didn’t have a comeback for.

With Golantz’s precise questioning and a series of blow-ups of crime scene photos — which I had been unsuccessful in keeping out on the grounds they were prejudicial — Kinder led the jury on a tour of the murder scene and what the evidence told the investigative team. It was purely clinical and methodical but it was supremely interesting. With his deep, authoritative voice, Kinder came off as something akin to a professor, teaching Homicide 101 to every person in the courtroom.