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Chapters (62)
  1. Cover
  2. Dedication
  3. ACKNOWLEDGMENTS
  4. PART ONE
  5. CHAPTER ONE
  6. CHAPTER TWO
  7. CHAPTER THREE
  8. CHAPTER FOUR
  9. CHAPTER FIVE
  10. CHAPTER SIX
  11. CHAPTER SEVEN
  12. CHAPTER EIGHT
  13. CHAPTER NINE
  14. CHAPTER TEN
  15. CHAPTER ELEVEN
  16. CHAPTER TWELVE
  17. CHAPTER THIRTEEN
  18. CHAPTER FOURTEEN
  19. CHAPTER FIFTEEN
  20. PART TWO
  21. CHAPTER SIXTEEN
  22. CHAPTER SEVENTEEN
  23. CHAPTER EIGHTEEN
  24. CHAPTER NINETEEN
  25. CHAPTER TWENTY
  26. CHAPTER TWENTY-ONE
  27. CHAPTER TWENTY-TWO
  28. CHAPTER TWENTY-THREE
  29. CHAPTER TWENTY-FOUR
  30. CHAPTER TWENTY-FIVE
  31. CHAPTER TWENTY-SIX
  32. CHAPTER TWENTY-SEVEN
  33. CHAPTER TWENTY-EIGHT
  34. CHAPTER TWENTY-NINE
  35. CHAPTER THIRTY
  36. CHAPTER THIRTY-ONE
  37. CHAPTER THIRTY-TWO
  38. CHAPTER THIRTY-THREE
  39. PART THREE
  40. CHAPTER THIRTY-FOUR
  41. CHAPTER THIRTY-FIVE
  42. CHAPTER THIRTY-SIX
  43. CHAPTER THIRTY-SEVEN
  44. CHAPTER THIRTY-EIGHT
  45. CHAPTER THIRTY-NINE
  46. CHAPTER FORTY
  47. CHAPTER FORTY-ONE
  48. CHAPTER FORTY-TWO
  49. CHAPTER FORTY-THREE
  50. CHAPTER FORTY-FOUR
  51. CHAPTER FORTY-FIVE
  52. CHAPTER FORTY-SIX
  53. CHAPTER FORTY-SEVEN
  54. CHAPTER FORTY-EIGHT
  55. CHAPTER FORTY-NINE
  56. CHAPTER FIFTY
  57. CHAPTER FIFTY-ONE
  58. CHAPTER FIFTY-TWO
  59. CHAPTER FIFTY-THREE
  60. EPILOGUE
  61. AUTHOR’S NOTE
  62. BOOK CLUB DISCUSSION GUIDE

“I know Ravi Shankar,” I said. “The sitar player. Taught George Harrison how to play it. But who’s the other one?”

“Ustad Alla Rakha,” repeated Sushmita slowly for my benefit. “Ustad is Urdu for master. He’s a master of the tabla. You know, those small drums that make impossibly beautiful music. And, by the way, referring to Pandit Ravi Shankar as a sitar player is like calling Paganini a fiddler. He’s a virtuoso, Danny.”

“Duly noted,” I said. “I’d love to hear that.”

Willy fussed and made a big show of compromising. He rose and went to the hi-fi where he stopped the music.

“Fine, fine, I’ll change the Brel,” he said. “But let’s listen to this instead of your Indian music.”

He cued up some Wagner. Overtures. My chances of winning the girl were improving. Sushmita sulked as Willy pretended to conduct the music from his chair. But then, not ten minutes later, he changed his mind and put Brel back on the turntable.

“Good night,” said Sushmita, almost in tears. She caught my eye while Willy was lost in a rapture over “Le plat pays,” Brel’s paean to his native land. One of his most beautiful songs. She was furious.

Once she’d left the room, Willy began singing in Flemish “Mijn vlakke land.” And then in French—“Le plat pays qui est le mien.” I felt bad for the man. He was so generous and kind to me, and I was playing around behind his back with his lover. I felt guilt and disgust with myself. My behavior turned my own stomach. But that didn’t change a thing. I still wanted Sushmita in my bed.

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I picked out a Wodehouse novel to help me sleep. The Mating Season seemed a good choice, but I couldn’t get into the spirit. I didn’t much feel like laughing that night. And I wasn’t going for Mills and Boon.

At midnight, I switched off the light and folded the pillow over my head, covering my eyes and ears. Ten minutes later, no closer to sleep, I sat up in bed and realized I was not alone.

CHAPTER TWENTY

SUNDAY, JULY 13, 1975, 12:10 A.M.

She whispered to me from a few feet away. “I’ve been watching you for five minutes. How can you sleep with a pillow on your head?”

“What are you doing here?” I asked, ignoring her question. I doubted she truly wanted to know the answer. It was more a way to deflect attention from yourself when you slip into a man’s bedroom in the middle of the night.

She took a step toward me. “I didn’t want to surprise you for fear you’d scream. I was beginning to think you were actually going to sleep through the night with the pillow on your head.”

I repeated my question. What was she doing there?