Chapters (39)
- Cover
- Praise for Hannah Begbie:
- Dedication
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 16
- Chapter 17
- Chapter 18
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
- Chapter 29
- Chapter 30
- Acknowledgements
- If you enjoyed Blurred Lines, keep reading for a taste of Hannah Begbie’s first novel Mother.
- PROLOGUE
- About the Author
- Also by Hannah Begbie
- About the Publisher
Becky laughs again. They smile at each other, Adam holding her gaze a split second too long. Not long enough to necessarily interpret as anything more than a minor rest in their conversation, but also not short enough to be entirely sure that this is what’s going on. It happens between them sometimes. But it’s OK. It’s acceptable. Largely ignorable.
He breaks the spell with a change in smile. ‘You’ll be fine. Just keep the ambulance on speed dial. Ciao and all that.’ He swings on his heel to leave her.
‘Wait,’ she says. ‘How about a movie night next week? Back to the Future, popcorn, I can smuggle some beers from my dad. My house?’
‘Sure,’ he says, without turning round. ‘That would be fine. Enjoy the party and … just be careful none of them miss their footing and fall on you. Those are some beefy public school types you’re hanging out with now. Scrum down, Shawcross.’
Becky finds some beers on a side table, gets drunk, and watches other people get drunk. She grasps her bottle and tells herself that she can see how alcohol floods the systems of the people around her, making their movements looser, sloppier and more animated. One girl slams her palms against the chest of a boy far taller than her and although she looks angry and sad, he is laughing as he tries to bring her round to his way of thinking. He draws her to him and she thumps his chest with her fists until she gives up and curls into him, laughing.
A girl with corkscrew hair sways and gyrates like no one is watching, or something like that. Becky feels both embarrassed and jealous, watching her dance like she is at a warehouse rave, weaving her arms in between strips of blue and green light.
Mary is talking to Brendan who is standing over her – his arm positioned in a way that makes it look like he is bolstering the wall, as if he is as essential as a ceiling joist. Mary is waving her hands, clearly telling a story that means absolutely everything to her, and she is delighted, in her element, because Brendan is looking at her and laughing and no doubt appreciating her pretty Irish eyes.