Over the past month or so he’s written messages, love letters, really. Sweet, sentimental words that if she could, she would tuck inside her secret shoebox filled with lucky coins and heart-shaped rocks found over the years. But he warned her, said they could get in trouble, so instead she memorizes each sentence and murmurs them at night before she falls asleep and it’s almost as if he’s right there with her.

She picks up her pace and moves toward the tracks, dulled and worn down by time and elements. The rail ties are barely visible through the weeds, half-buried sun-bleached bones. She’s breathing hard and suddenly realizes tears are rolling down her cheeks. On the opposite side of the tracks where the last year’s winter wheat stands, unsown and bent like a wizened old man, is a field that in a few months will be filled with alfalfa. There she sees something. He is hidden in the shadows but she knows it’s him. He’s come. He beckons her with a raised hand and her heart leaps.

Out of the corner of her eye she sees a familiar shape sitting on the train tracks, knees tucked beneath her chin. The girl turns her head as she approaches, stretches out her legs, holds her injured arm close to her side. They don’t speak. She trusts her. Of course she does.

The figure in the dry grass tilts his chin as if to say, Go ahead. Do it. I dare you. Her legs are not her own as she approaches, the knife bouncing lightly against her thigh. She stops in front of the girl who stands and smiles crookedly up at her through tears, her small teeth flashing white. Beneath her feet the ground vibrates, warning her of the coming train. She has to hurry; once the engine comes into view it will be too late. He’ll leave.

In the distance a dog barks. The rumble of the train grows louder.

She strikes quickly, without thinking. The cold metal rips through fabric and skin easily. She thought it would be harder, take more effort. The girl looks at her in confusion, presses her fingers to her abdomen and pulls them away. The girl looks surprised to find them wet with blood.

The tracks shiver and shake with the approaching engine. The girl tries to squirm away but she yanks her backward and the slick knife slides through her fingers and to the ground; she slams the girl’s head onto the track, the rusty bolts tearing at the girl’s cheek, the delicate skin below her eye. Again and again she thrusts the girl’s head down until her muscles burn and the girl goes limp. She considers leaving her on the tracks but in a burst of adrenaline she pushes the girl off the rails.