He learned that after coming to town, instead of fixing my car and heading on to Green Bay, I got a job at the convenience store, rented a two-bedroom house with peeling paint, no air-conditioning and a temperamental furnace and enrolled my kids in school. I learned that he grew up in Pitch, now lives forty miles away in North Liberty and works as a researcher in the College of Dentistry at the University of Grayling.

Tonight, with Max out with friends and Violet spending the night at Cora’s, Sam and I drove to Washington to eat at an Italian place he knew about, and after one too many glasses of wine, we ended up in bed together. Big mistake. But big fun.

We glide pass the post office and two empty storefronts with soaped-out windows and past Petit’s Bar and Grill. The closer we get to the railroad tracks, the faster my foot taps against the rubber floor mat. I want to tell Sam to turn around, to go back to the house. Max has been out all night before, shown up in the wee hours, bleary-eyed and rumpled and probably hungover, but he always comes home.

I’m afraid of what I might find once we reach the police cars or ambulances. I strain to see if I can hear the sirens, even roll down the window, but all I can hear is the rumble of the car’s engine and the creak of branches rubbing against each other as we drive down Main.

Sam slows to a crawl as he crosses the railroad tracks but still the car bounces and pitches as it rolls over the uneven iron rails. I expect Sam to make a left on Depot, a street that runs parallel to the tracks, but he keeps going. Once over the tracks we pass the bank and the tiny grocery store, and then three blocks filled with single-family homes.

I glance down Juneberry, the street where Violet is spending the night at her best friend’s house. Cora Landry invited Violet over so they could spend their free day off school together tomorrow. I breathe a sigh of relief. No ambulances down that way.

Pitch ends suddenly as if the town’s forefathers somehow knew that it would never really grow into the buzzing railroad town originally planned. Main Street turns into a country highway, treeless and lined with deep ditches and acres of farmland now hidden by the black night. The road dips and winds and gradually rises and I turn in my seat to look out the rear window. From here I can see Pitch below us.

“There,” I say, grabbing at Sam’s arm. On the western edge of Pitch right along the railroad tracks and the old millwork district I see the rhythmic swirling of red lights. Sam knew exactly what he was doing coming up here.