Chapters (145)
- Cover
- Title Page
- Dedication
- Acknowledgments
- Part One: Acts of War
- Chapter One
- Chapter Two
- Chapter Three
- Chapter Four
- Chapter Five
- Chapter Six
- Chapter Seven
- Chapter Eight
- Chapter Nine
- Chapter Ten
- Chapter Eleven
- Chapter Twelve
- Chapter Thirteen
- Chapter Fourteen
- Chapter Fifteen
- Chapter Sixteen
- Chapter Seventeen
- Chapter Eighteen
- Chapter Nineteen
- Chapter Twenty
- Chapter Twenty-one
- Chapter Twenty-two
- Chapter Twenty-three
- Chapter Twenty-four
- Chapter Twenty-five
- Chapter Twenty-six
- Part Two: By the Rivers Dark
- Chapter Twenty-seven
- Chapter Twenty-eight
- Chapter Twenty-nine
- Chapter Thirty
- Chapter Thirty-one
- Chapter Thirty-two
- Chapter Thirty-three
- Chapter Thirty-four
- Chapter Thirty-five
- Chapter Thirty-six
- Chapter Thirty-seven
- Chapter Thirty-eight
- Chapter Thirty-nine
- Chapter Forty
- Chapter Forty-one
- Chapter Forty-two
- Chapter Forty-three
- Chapter Forty-four
- Chapter Forty-five
- Interlude One
- Chapter Forty-six
- Chapter Forty-seven
- Interlude Two
- Chapter Forty-eight
- Chapter Forty-nine
- Interlude Three
- Chapter Fifty
- Chapter Fifty-one
- Interlude Four
- Chapter Fifty-two
- Chapter Fifty-three
- Chapter Fifty-four
- Chapter Fifty-five
- Chapter Fifty-six
- Interlude Five
- Part Three: The Blood of Angels
- Chapter Fifty-seven
- Chapter Fifty-eight
- Interlude Six
- Chapter Fifty-nine
- Interlude Seven
- Chapter Sixty
- Chapter Sixty-one
- Chapter Sixty-two
- Interlude Eight
- Chapter Sixty-three
- Chapter Sixty-four
- Chapter Sixty-five
- Chapter Sixty-six
- Chapter Sixty-seven
- Interlude Nine
- Chapter Sixty-eight
- Chapter Sixty-nine
- Chapter Seventy
- Chapter Seventy-one
- Chapter Seventy-two
- Chapter Seventy-three
- Interlude Ten
- Chapter Seventy-four
- Chapter Seventy-five
- Chapter Seventy-six
- Chapter Seventy-seven
- Chapter Seventy-eight
- Chapter Seventy-nine
- Chapter Eighty
- Chapter Eighty-one
- Chapter Eighty-two
- Chapter Eighty-three
- Chapter Eighty-four
- Chapter Eighty-five
- Chapter Eighty-six
- Chapter Eighty-seven
- Chapter Eighty-eight
- Chapter Eighty-nine
- Chapter Ninety
- Chapter Ninety-one
- Chapter Ninety-two
- Chapter Ninety-three
- Chapter Ninety-four
- Chapter Ninety-five
- Chapter Ninety-six
- Chapter Ninety-seven
- Chapter Ninety-eight
- Chapter Ninety-nine
- Chapter One Hundred
- Chapter One Hundred One
- Chapter One Hundred Two
- Chapter One Hundred Three
- Chapter One Hundred Four
- Chapter One Hundred Five
- Chapter One Hundred Six
- Chapter One Hundred Seven
- Chapter One Hundred Eight
- Chapter One Hundred Nine
- Chapter One Hundred Ten
- Chapter One Hundred Eleven
- Chapter One Hundred Twelve
- Chapter One Hundred Thirteen
- Chapter One Hundred Fourteen
- Chapter One Hundred Fifteen
- Chapter One Hundred Sixteen
- Chapter One Hundred Seventeen
- Chapter One Hundred Eighteen
- Chapter One Hundred Nineteen
- Chapter One Hundred Twenty
- Chapter One Hundred Twenty-one
- Chapter One Hundred Twenty-two
- Chapter One Hundred Twenty-three
- Chapter One Hundred Twenty-four
- Chapter One Hundred Twenty-five
- Epilogue
- Also by Jonathan Maberry
- About the Author
“That’s just it,” answered Circe, “on the surface the book appears to be a codex of herbology. But here’s the kicker, while some of the plants in the book are recognizable, there are some plants that are either so badly drawn that they’re unrecognizable, or they are plants that are currently unknown to science. Aside from the herbal drawings, there are others, including a number of cosmological diagrams, some of them with suns, moons, and stars, suggestive of astronomy or astrology. There are the twelve zodiacal symbols, and each of these has thirty female figures arranged in two or more concentric bands. Most of the females are at least partly naked, and each holds what appears to be a labeled star or is shown with the star attached by what could be a tether or cord of some kind to either arm.” She took a breath. “And there are sections that show small naked women bathing in pools or tubs connected by an elaborate network of pipes, some of them clearly shaped like body organs. Some of the women wear crowns. Some pages look like complex formulae, but for what is anyone’s guess. In short, we don’t know what the book is about or why it was written.”
Rudy said, “You called it a ciphertext rather than a codetext. What’s the difference? I thought a cipher was another name for code.”
Circe shook her head. “A cipher is the result of encryption performed on plaintext using an algorithm. It’s mathematical. A code is simply a method used to transform a message into an obscured form. Like letter transposition or word-swapping. You decipher a code with a codebook that has the letters, words, or phrases that match the coded message. A cipher is much more complex, and it’s often the word people should be using when describing something that has been encrypted.”
“I knew that,” Bug said quietly.
“I didn’t,” said Rudy, “and I have no idea what you just said. What I want to know is what the Voynich manuscript is and how it relates to seven nuclear bombs.”
Circe blew out her cheeks. “Scholars have spent the last century trying to decipher the manuscript. How that relates, or how it helps … is anyone’s guess.”
Rudy stood and bent closer to the screens showing the two mystery pages. He looked back and forth between them, and then studied the Voynich pages. He grunted.
“What?” asked Circe.
“Well … I’m no handwriting expert,” he said slowly, “but I don’t think these other pages were written by the same person.”
Chapter Forty-five
Chapter Forty-Five
On the Run
Tehran, Iran
June 15, 10:59 a.m.
Mr. Church said run, so I ran.