Chapters (145)
- Cover
- Title Page
- Dedication
- Acknowledgments
- Part One: Acts of War
- Chapter One
- Chapter Two
- Chapter Three
- Chapter Four
- Chapter Five
- Chapter Six
- Chapter Seven
- Chapter Eight
- Chapter Nine
- Chapter Ten
- Chapter Eleven
- Chapter Twelve
- Chapter Thirteen
- Chapter Fourteen
- Chapter Fifteen
- Chapter Sixteen
- Chapter Seventeen
- Chapter Eighteen
- Chapter Nineteen
- Chapter Twenty
- Chapter Twenty-one
- Chapter Twenty-two
- Chapter Twenty-three
- Chapter Twenty-four
- Chapter Twenty-five
- Chapter Twenty-six
- Part Two: By the Rivers Dark
- Chapter Twenty-seven
- Chapter Twenty-eight
- Chapter Twenty-nine
- Chapter Thirty
- Chapter Thirty-one
- Chapter Thirty-two
- Chapter Thirty-three
- Chapter Thirty-four
- Chapter Thirty-five
- Chapter Thirty-six
- Chapter Thirty-seven
- Chapter Thirty-eight
- Chapter Thirty-nine
- Chapter Forty
- Chapter Forty-one
- Chapter Forty-two
- Chapter Forty-three
- Chapter Forty-four
- Chapter Forty-five
- Interlude One
- Chapter Forty-six
- Chapter Forty-seven
- Interlude Two
- Chapter Forty-eight
- Chapter Forty-nine
- Interlude Three
- Chapter Fifty
- Chapter Fifty-one
- Interlude Four
- Chapter Fifty-two
- Chapter Fifty-three
- Chapter Fifty-four
- Chapter Fifty-five
- Chapter Fifty-six
- Interlude Five
- Part Three: The Blood of Angels
- Chapter Fifty-seven
- Chapter Fifty-eight
- Interlude Six
- Chapter Fifty-nine
- Interlude Seven
- Chapter Sixty
- Chapter Sixty-one
- Chapter Sixty-two
- Interlude Eight
- Chapter Sixty-three
- Chapter Sixty-four
- Chapter Sixty-five
- Chapter Sixty-six
- Chapter Sixty-seven
- Interlude Nine
- Chapter Sixty-eight
- Chapter Sixty-nine
- Chapter Seventy
- Chapter Seventy-one
- Chapter Seventy-two
- Chapter Seventy-three
- Interlude Ten
- Chapter Seventy-four
- Chapter Seventy-five
- Chapter Seventy-six
- Chapter Seventy-seven
- Chapter Seventy-eight
- Chapter Seventy-nine
- Chapter Eighty
- Chapter Eighty-one
- Chapter Eighty-two
- Chapter Eighty-three
- Chapter Eighty-four
- Chapter Eighty-five
- Chapter Eighty-six
- Chapter Eighty-seven
- Chapter Eighty-eight
- Chapter Eighty-nine
- Chapter Ninety
- Chapter Ninety-one
- Chapter Ninety-two
- Chapter Ninety-three
- Chapter Ninety-four
- Chapter Ninety-five
- Chapter Ninety-six
- Chapter Ninety-seven
- Chapter Ninety-eight
- Chapter Ninety-nine
- Chapter One Hundred
- Chapter One Hundred One
- Chapter One Hundred Two
- Chapter One Hundred Three
- Chapter One Hundred Four
- Chapter One Hundred Five
- Chapter One Hundred Six
- Chapter One Hundred Seven
- Chapter One Hundred Eight
- Chapter One Hundred Nine
- Chapter One Hundred Ten
- Chapter One Hundred Eleven
- Chapter One Hundred Twelve
- Chapter One Hundred Thirteen
- Chapter One Hundred Fourteen
- Chapter One Hundred Fifteen
- Chapter One Hundred Sixteen
- Chapter One Hundred Seventeen
- Chapter One Hundred Eighteen
- Chapter One Hundred Nineteen
- Chapter One Hundred Twenty
- Chapter One Hundred Twenty-one
- Chapter One Hundred Twenty-two
- Chapter One Hundred Twenty-three
- Chapter One Hundred Twenty-four
- Chapter One Hundred Twenty-five
- Epilogue
- Also by Jonathan Maberry
- About the Author
“That’s just it,” said Circe, “no one knows who wrote it or why. It’s named after Wilfrid Voynich, a rare-book dealer from New York who discovered the book in 1912 during a buying trip to Villa Mondragone, near Rome. It was in a trunkful of rare texts. Voynich spent the rest of his life trying to decipher the language, but he never did. In fact no one ever has.”
“Maybe it’s a fake language,” suggested Rudy.
“Doubtful,” said Bug, peering at it. “It’s too orderly.”
“Can we suppose for a moment that the two remaining pages from Rasouli’s file are from the other book, the Book of Shadows?” suggested Rudy. “If so, they’re clearly written in the same language. Maybe it’s a secret language, reserved for use by members of a society.”
“Sure,” Circe agreed. “That’s the consensus of scholars of the book, but it is an incredibly complex language. In all there are one hundred and seventy thousand distinct glyphs, or written elements. About thirty of these glyphs are used repeatedly throughout the manuscript.”
“An alphabet?” said Bug.
“Probably, but no one has cracked it.”
“Where is the book now?” asked Rudy. “And can we get it?”
“It’s at Yale, in the Beinecke Rare Book and Manuscript Library, but there’s no reason to get it. There are hundreds of Web sites devoted to the manuscript. Every page of it, including the covers, is available online.”
Bug reached up to tap one of the pages on the screen. “Wait, isn’t that a signature? I can almost read it. Jacob something something.”
“Jacobus de Tepenecz,” said Circe. “He wasn’t the author, though. More likely he owned it for a while. De Tepenecz was a seventeenth-century physician and an expert in medical plants. In 1608 he was summoned to Prague to treat Emperor Rudolf II who was suffering from severe depression and melancholia. Because of his success with the emperor, de Tepenecz was appointed Imperial Chief Distiller. Scholars believe that he was given the Voynich manuscript as either payment or as a gift by Rudolf, who was a collector of occult books and manuscripts of arcane sciences. The ownership of the book has a lot of gaps in it. We do know that when Voynich purchased it he found a letter tucked between its pages that had been written in 1665 by Dr. Johannes Marcus Marci of Bohemia, and in that letter Dr. Marci claimed that the book was written by Roger Bacon.”
“Who was—?” prompted Rudy.
“He was a Franciscan friar, philosopher, and alchemist in the thirteenth century. His nickname was ‘Doctor Mirabilis’—‘wonderful teacher.’ But … Bacon was likely born around 1220 C.E. He died in 1294, more than a century before the book was written.”
“Unless he really could do miracles,” said Bug, but they ignored him.
“What’s in the manuscript?” asked Rudy. “I see plants and diagrams…”