She was in a little white hole called the kitchen, scattering pans and rattling glasses, and I sat and wondered why she could be one thing when I was alone in my room and something else the moment I was with her. I looked for incense, that saccharine smell, it had to come from somewhere, but there was no incense burner in the room, nothing in the room but dirty blue overstuffed furniture, a table with a few books scattered over it, and a mirror over the panelling of a Murphy bed. Then she came out of the kitchen with a glass of milk in her hand. ‘Here,’ she offered. ‘A cool drink.’

But it wasn’t cool at all, it was almost hot, and there was a yellowish scum on top, and sipping it I tasted her lips and the strong food she ate, a taste of rye bread and Camembert cheese. ‘It’s good,’ I said, ‘delicious.’

She was sitting at my feet, her hands on my knees, staring at me with the eyes of hunger, tremendous eyes so large I might have lost myself in them. She was dressed as I saw her the first time, the same clothes, and the place was so desolate I knew she had no others, but I had come before she had had a chance to powder or rouge and now I saw the sculpture of age under her eyes and through her cheeks. I wondered that I had missed these things that night, and then I remembered that I had not missed them at all, I had seen them even through rouge and powder, but in the two days of reverie and dream about her they had concealed themselves, and now I was here, and I knew I should not have come.

We talked, she and I. She asked about my work and it was a pretence, she was not interested in my work. And when I answered it was a pretence. I was not interested in my work either. There was only one thing that interested us, and she knew it, for I had made it plain by my coming.

But where were all the words, and where were all the little lusts I had brought with me? And where were those reveries, and where was my desire, and what had happened to my courage, and why did I sit and laugh so loudly at things not amusing? So come, Bandini — find your heart’s desire, take your passion the way it says in the books. Two people in a room; one of them a woman; the other, Arturo Bandini, who is neither fish, fowl, nor good red herring.

Another long silence, the woman’s head on my lap, my fingers playing in the dark nest, sorting out strands of grey hair. Awake, Arturo! Camilla Lopez should see you now, she with the big black eyes, your true love, your Mayan princess. Oh Jesus, Arturo, you’re marvellous! Maybe you did write The Little Dog Laughed, but you’ll never write Casanova’s Memoirs. What are you doing, sitting here? Dreaming of some great masterpiece? Oh you fool, Bandini!