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Contents ( 21)
  1. Ask the Dust
  2. Introduction
  3. Chapter One
  4. Chapter Two
  5. Chapter Three
  6. Chapter Four
  7. Chapter Five
  8. Chapter Six
  9. Chapter Seven
  10. Chapter Eight
  11. Chapter Nine
  12. Chapter Ten
  13. Chapter Eleven
  14. Chapter Twelve
  15. Chapter Thirteen
  16. Chapter Fourteen
  17. Chapter Fifteen
  18. Chapter Sixteen
  19. Chapter Seventeen
  20. Chapter Eighteen
  21. Chapter Nineteen

So I sit around all day thinking about it; and I think about a few other Italians, Casanova and Cellini, and then I think about Arturo Bandini, and I have to punch myself in the head. I begin to wonder about Long Beach, and I say to myself that perhaps I should at least visit the place, and maybe Vera, to have a talk with her concerning a great problem. I think of that cadaverous place, the wound on her body, and try to find words for it, to fit it across the page of a manuscript. Then I say to myself that Vera, for all her flaws, might perform a miracle, and after the miracle is performed a new Arturo Bandini will face the world and Camilla Lopez, a Bandini with dynamite in his body and volcanic fire in his eyes, who goes to this Camilla Lopez and says: see here, young woman, I have been very patient with you, but now I have had enough of your impudence, and you will kindly oblige me by removing your clothes. These vagaries please me as I lie there and watch them unfold across the ceiling.

One afternoon I tell Mrs Hargraves that I shall be gone for a day or so, Long Beach, some business, and I start out. I have Vera’s address in my pocket, and I say to myself, Bandini, prepare yourself for the great adventure; let the conquering spirit possess you. On the corner I meet Hellfrick, whose mouth is watering for more meat. I give him some money and he dashes into a butcher’s shop. Then I go down to the Electric Station and catch a Red Car for Long Beach.

Chapter Twelve

The name on the mailbox was Vera Rivken, and that was her full name. It was down on the Long Beach Pike, across the street from the Ferris Wheel and the Roller Coaster. Downstairs a poolhall, upstairs a few single apartments. No mistaking that flight of stairs; it possessed her odour. The banister was warped and bent, and the grey wallpaint was swollen, with puffed places that cracked open when I pushed them with my thumb.

When I knocked, she opened the door.

‘So soon?’ she said.

Take her in your arms, Bandini. Don’t grimace at her kiss, break away gently, with a smile, say something. ‘You look wonderful,’ I said. No chance to speak, she was over me again, clinging like a wet vine, her tongue, like a frightened snake’s head, searching my mouth. Oh great Italian Lover Bandini, reciprocate! Oh Jewish girl, if you would be so kind, if you would approach these matters more slowly! So I was free again, wandering to the window, saying something about the sea and the view beyond. ‘Nice view,’ I said. But she was taking off my coat, leading me to a chair in the corner, taking off my shoes. ‘Be comfortable,’ she said. Then she was gone, and I sat with my teeth gritted, looking at a room like ten million California rooms, a bit of wood here and a bit of rag there, the furniture, with cobwebs in the ceiling and dust in the corners, her room, and everybody’s room, Los Angeles, Long Beach, San Diego, a few boards of plaster and stucco to keep the sun out.