Chapters (23)
- Cover
- Title Page
- Copyright
- Praise
- Animal Crackers
- Home Sweet Home
- Reasonable Terms
- Preservation
- Slim’s Last Ride
- Hit Man of the Year
- Talk Turkey
- How to Revitalize the Snake in your Life
- Gallus, Gallus
- Bloodworks
- Miss Waldron’s Red Colobus
- Dedication
- Acknowledgments
- A Note to the Reader
- By Hannah Tinti
- About the Author
- Excerpt from Twelve Lives of Samuel Hawley
- HAWLEY
- What’s next onyour reading list?
Miguel spent the first three months of his life in America asking to go home. When the fourth month came he began to sleepwalk. He wandered downstairs to the kitchen, emptied the garbage can onto the floor, and curled up inside. In the morning Mrs. Mitchell would find him asleep, shoulders in the barrel, feet in the coffee grounds and leftovers. He told her he was looking for his mother’s head. She had been decapitated in the bus accident, and now she stepped from the corners of Miguel’s dreams at night and beckoned him with her arms, his lost chickens resting on her shoulders, pecking at the empty neck.
Mrs. Mitchell suggested that they make her a new one. She bought materials for papier-mâché. The strips of newspaper felt like bandages as she helped Miguel dip them in glue and smooth them over the surface of the inflated balloon. They fashioned a nose and lips out of cardboard. Once it was dry, Miguel described his mother’s face and they painted the skin brown, added yarn for hair, cut eyelashes out of construction paper. Mrs. Mitchell took a pair of gold earrings, poked them through where they’d drawn the ears and said, heart sinking, She’s beautiful. Miguel nodded. He smiled. He put his mother’s head on top of the bookcase in his room and stopped sleeping in the garbage.
Sometimes when Mrs. Mitchell checked on the boy at night, she’d feel the head looking at her. It was unnerving. She imagined her husband making love to the papier-mâché face and discovered a hate so strong and hard it made her afraid of herself. She considered swiping the head and destroying it, but she remembered how skinny and pitiful the boy’s legs had looked against her kitchen floor. Then Miguel began to love her, and she suddenly felt capable of anything. She thumbed her nose at the face in the corner. She held her heart open.
Mrs. Mitchell had been raised by her aunts in a house near the river where her mother had drowned. The aunts were hunters; birds mostly, which they would clean and cook and eat. As a girl Mrs. Mitchell would retrieve the shots. Even on a clear day, the birds always seemed wet. Sometimes they were still alive when she found them—wings thrashing, pieces of their chests torn away. She learned to take hold of their necks and break them quickly.