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Contents (18)
  1. CONTENTS
  2. ANCIENT SORCERIES
  3. I
  4. II
  5. III
  6. IV
  7. V
  8. VI
  9. THE LISTENER
  10. THE SEA FIT
  11. THE WILLOWS
  12. I
  13. II
  14. III
  15. IV
  16. V
  17. ALSO AVAILABLE FROM PUSHKIN PRESS
  18. COPYRIGHT

In reply to Dr. Silence, whose singular psychic acuteness at once seized upon this Frenchman as a vital point in the adventure, Vezin admitted that the man had impressed him favourably from the beginning, though without being able to explain why. They had sat facing one another during the four hours of the journey, and though no conversation had passed between them—Vezin was timid about his stuttering French—he confessed that his eyes were being continually drawn to his face, almost, he felt, to rudeness, and that each, by a dozen nameless little politenesses and attentions, had evinced the desire to be kind. The men liked each other and their personalities did not clash, or would not have clashed had they chanced to come to terms of acquaintance. The Frenchman, indeed, seemed to have exercised a silent protective influence over the insignificant little Englishman, and without words or gestures betrayed that he wished him well and would gladly have been of service to him.

“And this sentence that he hurled at you after the bag?” asked John Silence, smiling that peculiarly sympathetic smile that always melted the prejudices of his patient, “were you unable to follow it exactly?”

“It was so quick and low and vehement,” explained Vezin, in his small voice, “that I missed practically the whole of it. I only caught the few words at the very end, because he spoke them so clearly, and his face was bent down out of the carriage window so near to mine.”

“‘À cause du sommeil et à cause des chats’?” repeated Dr. Silence, as though half speaking to himself.

“That’s it exactly,” said Vezin; “which, I take it, means something like ‘because of sleep and because of the cats,’ doesn’t it?”

“Certainly, that’s how I should translate it,” the doctor observed shortly, evidently not wishing to interrupt more than necessary.

“And the rest of the sentence—all the first part I couldn’t understand, I mean—was a warning not to do something—not to stop in the town, or at some particular place in the town, perhaps. That was the impression it made on me.”

Then, of course, the train rushed off, and left Vezin standing on the platform alone and rather forlorn.

The little town climbed in straggling fashion up a sharp hill rising out of the plain at the back of the station, and was crowned by the twin towers of the ruined cathedral peeping over the summit. From the station itself it looked uninteresting and modern, but the fact was that the mediaeval position lay out of sight just beyond the crest. And once he reached the top and entered the old streets, he stepped clean out of modern life into a bygone century. The noise and bustle of the crowded train seemed days away. The spirit of this silent hill-town, remote from tourists and motor-cars, dreaming its own quiet life under the autumn sun, rose up and cast its spell upon him. Long before he recognised this spell he acted under it. He walked softly, almost on tiptoe, down the winding narrow streets where the gables all but met over his head, and he entered the doorway of the solitary inn with a deprecating and modest demeanour that was in itself an apology for intruding upon the place and disturbing its dream.