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Contents (18)
  1. CONTENTS
  2. ANCIENT SORCERIES
  3. I
  4. II
  5. III
  6. IV
  7. V
  8. VI
  9. THE LISTENER
  10. THE SEA FIT
  11. THE WILLOWS
  12. I
  13. II
  14. III
  15. IV
  16. V
  17. ALSO AVAILABLE FROM PUSHKIN PRESS
  18. COPYRIGHT

At first, however, Vezin said, he noticed very little of all this. The attempt at analysis came much later. What struck him then was only the delightful contrast of the silence and peace after the dust and noisy rattle of the train. He felt soothed and stroked like a cat.

“Like a cat, you said?” interrupted John Silence, quickly catching him up.

“Yes. At the very start I felt that.” He laughed apologetically. “I felt as though the warmth and the stillness and the comfort made me purr. It seemed to be the general mood of the whole place—then.”

The inn, a rambling ancient house, the atmosphere of the old coaching days still about it, apparently did not welcome him too warmly. He felt he was only tolerated, he said. But it was cheap and comfortable, and the delicious cup of afternoon tea he ordered at once made him feel really very pleased with himself for leaving the train in this bold, original way. For to him it had seemed bold and original. He felt something of a dog. His room, too, soothed him with its dark panelling and low irregular ceiling, and the long sloping passage that led to it seemed the natural pathway to a real Chamber of Sleep—a little dim cubby hole out of the world where noise could not enter. It looked upon the courtyard at the back. It was all very charming, and made him think of himself as dressed in very soft velvet somehow, and the floors seemed padded, the walls provided with cushions. The sounds of the streets could not penetrate there. It was an atmosphere of absolute rest that surrounded him.

On engaging the two-franc room he had interviewed the only person who seemed to be about that sleepy afternoon, an elderly waiter with Dundreary whiskers and a drowsy courtesy, who had ambled lazily towards him across the stone yard; but on coming downstairs again for a little promenade in the town before dinner he encountered the proprietress herself. She was a large woman whose hands, feet, and features seemed to swim towards him out of a sea of person. They emerged, so to speak. But she had great dark, vivacious eyes that counteracted the bulk of her body, and betrayed the fact that in reality she was both vigorous and alert. When he first caught sight of her she was knitting in a low chair against the sunlight of the wall, and something at once made him see her as a great tabby cat, dozing, yet awake, heavily sleepy, and yet at the same time prepared for instantaneous action. A great mouser on the watch occurred to him.

She took him in with a single comprehensive glance that was polite without being cordial. Her neck, he noticed, was extraordinarily supple in spite of its proportions, for it turned so easily to follow him, and the head it carried bowed so very flexibly.

“But when she looked at me, you know,” said Vezin, with that little apologetic smile in his brown eyes, and that faintly deprecating gesture of the shoulders that was characteristic of him, “the odd notion came to me that really she had intended to make quite a different movement, and that with a single bound she could have leaped at me across the width of that stone yard and pounced upon me like some huge cat upon a mouse.”