Back Always the Last to Know Save as PDF
Chapters (51)
  1. Cover
  2. Praise for
  3. BOOKS BY KRISTAN HIGGINS
  4. Dedication
  5. Acknowledgments
  6. CHAPTER ONE
  7. CHAPTER TWO
  8. CHAPTER THREE
  9. CHAPTER FOUR
  10. CHAPTER FIVE
  11. CHAPTER SIX
  12. CHAPTER SEVEN
  13. CHAPTER EIGHT
  14. CHAPTER NINE
  15. CHAPTER TEN
  16. CHAPTER ELEVEN
  17. CHAPTER TWELVE
  18. CHAPTER THIRTEEN
  19. CHAPTER FOURTEEN
  20. CHAPTER FIFTEEN
  21. CHAPTER SIXTEEN
  22. CHAPTER SEVENTEEN
  23. CHAPTER EIGHTEEN
  24. CHAPTER NINETEEN
  25. CHAPTER TWENTY
  26. CHAPTER TWENTY-ONE
  27. CHAPTER TWENTY-TWO
  28. CHAPTER TWENTY-THREE
  29. CHAPTER TWENTY-FOUR
  30. CHAPTER TWENTY-FIVE
  31. CHAPTER TWENTY-SIX
  32. CHAPTER TWENTY-SEVEN
  33. CHAPTER TWENTY-EIGHT
  34. CHAPTER TWENTY-NINE
  35. CHAPTER THIRTY
  36. CHAPTER THIRTY-ONE
  37. CHAPTER THIRTY-TWO
  38. CHAPTER THIRTY-THREE
  39. CHAPTER THIRTY-FOUR
  40. CHAPTER THIRTY-FIVE
  41. CHAPTER THIRTY-SIX
  42. CHAPTER THIRTY-SEVEN
  43. CHAPTER THIRTY-EIGHT
  44. CHAPTER THIRTY-NINE
  45. CHAPTER FORTY
  46. CHAPTER FORTY-ONE
  47. EPILOGUE
  48. Readers Guide
  49. Questions for Discussion
  50. About the Author
  51. What’s next onyour reading list?

Looking back, it’s hard not to be a little embarrassed. Girl from tiny town in Connecticut goes to New York to become artist. Wears black and pierces nose. Fails to set the art world on fire. Becomes waitress, then teacher, then sells out. Eventually goes home to help ailing parent.

The thing was, I’d been sincere. At eighteen, my heart was pure, my determination boundless. I was talented . . . I’d won first prize in the annual Stoningham art show since I was fourteen and even sold three paintings at Coastal Beauty Art Gallery in Mystic. I’d placed third in the Young Artists of Connecticut Competition, Acrylics.

I couldn’t remember a time when I didn’t draw or paint. I loved it so much—the smells, the textures, the way a single flicker of a brush could take you on a journey, how the slightest color variation could make all the difference. I loved mixing paints, the sweet perfection of a new brush, like the smallest baby animal, so soft and innocent and full of potential. I loved seeing something come from nothing. And not just something, but an experience. Not just a picture, but emotions, an entire story in a frame. There was nothing else I wanted to do.

Of course I was going to New York to study art! What other city in America was there for art? (Aside from Austin, Denver, San Francisco, Chicago, etc., but I was young and ill-informed.) New York it would be.

Dad was encouraging—“Of course! Follow your dream, sugarplum!” Mom was baffled.

“An art major?” she cried, as if I’d said assassin for drug cartel. “What are you going to do with an art major? Your sister is an architect!” Just in case I’d forgotten what Perfection from Conception did for a living.

Speaking of Juliet, who was also sitting in judgment, she laughed. “You’re adorable. Do you like living in cardboard boxes?”

“Have you ever been to a museum?” I asked in my oh-so-sophisticated way.

“I’ve designed museums, Sadie.”

“Then you should remember that they’re just places to hold art. Have you ever bought a painting? Seen a movie?” I raised an eyebrow at my mother in response to her snort of disapproval. “People who think art is a waste of time should have to live in a world without color.”

“Have you ever been poor?” Jules asked. “Ever eaten at a soup kitchen?”

“This might come as a shock to you, Jules, but money and luxury aren’t everything.” She’d just built her house on the water, tearing down an old gray-shingled cottage to construct what was admittedly a fabulous home with views from every angle. “You’re all very narrow-minded,” I said. “Except you, Daddy.”

“Well,” he said. “If you can’t follow your dreams now, baby, when can you?”

“See?” I said, hugging him.