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Chapters (51)
  1. Cover
  2. Praise for
  3. BOOKS BY KRISTAN HIGGINS
  4. Dedication
  5. Acknowledgments
  6. CHAPTER ONE
  7. CHAPTER TWO
  8. CHAPTER THREE
  9. CHAPTER FOUR
  10. CHAPTER FIVE
  11. CHAPTER SIX
  12. CHAPTER SEVEN
  13. CHAPTER EIGHT
  14. CHAPTER NINE
  15. CHAPTER TEN
  16. CHAPTER ELEVEN
  17. CHAPTER TWELVE
  18. CHAPTER THIRTEEN
  19. CHAPTER FOURTEEN
  20. CHAPTER FIFTEEN
  21. CHAPTER SIXTEEN
  22. CHAPTER SEVENTEEN
  23. CHAPTER EIGHTEEN
  24. CHAPTER NINETEEN
  25. CHAPTER TWENTY
  26. CHAPTER TWENTY-ONE
  27. CHAPTER TWENTY-TWO
  28. CHAPTER TWENTY-THREE
  29. CHAPTER TWENTY-FOUR
  30. CHAPTER TWENTY-FIVE
  31. CHAPTER TWENTY-SIX
  32. CHAPTER TWENTY-SEVEN
  33. CHAPTER TWENTY-EIGHT
  34. CHAPTER TWENTY-NINE
  35. CHAPTER THIRTY
  36. CHAPTER THIRTY-ONE
  37. CHAPTER THIRTY-TWO
  38. CHAPTER THIRTY-THREE
  39. CHAPTER THIRTY-FOUR
  40. CHAPTER THIRTY-FIVE
  41. CHAPTER THIRTY-SIX
  42. CHAPTER THIRTY-SEVEN
  43. CHAPTER THIRTY-EIGHT
  44. CHAPTER THIRTY-NINE
  45. CHAPTER FORTY
  46. CHAPTER FORTY-ONE
  47. EPILOGUE
  48. Readers Guide
  49. Questions for Discussion
  50. About the Author
  51. What’s next onyour reading list?

In fact, Hasan Sadik SoHo was the gallery where I’d tried to explain to Noah why my skyscape paintings were touristy drivel and not true art.

And now the owner—Hasan Sadik himself—was desperately hoping I was free to show at his place. Just like that, a chance came out of the clear blue sky.

This could make my career. Every dream I’d ever had about art reared up and hugged me tight.

All I had to do was bang out some more Georgia O’Keeffe–type work, using the same kinds of touches I’d used on the vagina painting to make it clear that it wasn’t just a knockoff and . . . and . . .

Shit. I’d be established. I’d be that New York artist, discovered after teaching Catholic school for years and years and making paintings that matched upholstery. It was a great story!

I needed to get to work. Mom had Dad at Gaylord today, so my schedule was clear.

I took a few deep breaths and, hands shaking, wrote back to Hasan Sadik, saying I’d love to meet with him and was a great admirer of his gallery. Kept it short and sweet, and nearly fainted when he wrote back immediately, offering to send a car to pick me up, and perhaps we could also have lunch? And did I have an agent he should be including in these e-mails?

I’ll be in touch in the next day or two, I wrote, too overwhelmed at the moment, and afraid I’d say something stupid. Thank you so much for your interest.

Thank God I’d taken down my website years ago so he couldn’t see all my previous attempts to be artistic and unique (or read my idiotic bio where I mentioned Robert Frost). I pulled up some images of Georgia O’Keeffe’s work and printed out a couple for inspiration. Somewhere in one of my unpacked boxes was a juicy coffee table book on her flower paintings. Which box was it, dang it?

Listen. All work was derivative. It wasn’t like I was doing anything that hadn’t been done a million times before. I found the book, flipped through it and settled on a white rose, the oriental poppies and an iris.

A chance like this did not come around very often. I’d be an idiot to turn it aside. “Mommy’s going to be a famous artist,” I told Pepper, who nuzzled my hand encouragingly. “Let’s get to work, shall we?” I set aside my sunset painting from yesterday, got a couple of canvases out of the closet, and started working, ignoring the little voice in the back of my head that was telling me to slow down.