Back All the Dark Places Save as PDF
Chapters (82)
  1. Title Page
  2. Copyright Page
  3. Dedication
  4. Acknowledgments
  5. CHAPTER 1 - Molly
  6. CHAPTER 2 - Rita
  7. CHAPTER 3 - Molly
  8. CHAPTER 4 - Rita
  9. CHAPTER 5 - Molly
  10. CHAPTER 6 - Rita
  11. CHAPTER 7 - Molly
  12. CHAPTER 8 - Rita
  13. CHAPTER 9 - Molly
  14. CHAPTER 10 - Rita
  15. CHAPTER 11 - Molly
  16. CHAPTER 12 - Rita
  17. CHAPTER 13 - Molly
  18. CHAPTER 14 - Rita
  19. CHAPTER 15 - Molly
  20. CHAPTER 16 - Rita
  21. CHAPTER 17 - Molly
  22. CHAPTER 18 - Rita
  23. CHAPTER 19 - Molly
  24. CHAPTER 20 - Molly
  25. CHAPTER 21 - Rita
  26. CHAPTER 22 - Molly
  27. CHAPTER 23 - Rita
  28. CHAPTER 24 - Rita
  29. CHAPTER 25 - Molly
  30. CHAPTER 26 - Molly
  31. CHAPTER 27 - Rita
  32. CHAPTER 28 - Molly
  33. CHAPTER 29 - Rita
  34. CHAPTER 30 - Molly
  35. CHAPTER 31 - Molly
  36. CHAPTER 32 - Rita
  37. CHAPTER 33 - Molly
  38. CHAPTER 34 - Rita
  39. CHAPTER 35 - Molly
  40. CHAPTER 36 - Rita
  41. CHAPTER 37 - Molly
  42. CHAPTER 38 - Molly
  43. CHAPTER 39 - Rita
  44. CHAPTER 40 - Molly
  45. CHAPTER 41 - Molly
  46. CHAPTER 42 - Rita
  47. CHAPTER 43 - Molly
  48. CHAPTER 44 - Rita
  49. CHAPTER 45 - Molly
  50. CHAPTER 46 - Rita
  51. CHAPTER 47 - Molly
  52. CHAPTER 48 - Rita
  53. CHAPTER 49 - Molly
  54. CHAPTER 50 - Rita
  55. CHAPTER 51 - Molly
  56. CHAPTER 52 - Rita
  57. CHAPTER 53 - Molly
  58. CHAPTER 54 - Rita
  59. CHAPTER 55 - Molly
  60. CHAPTER 56 - Rita
  61. CHAPTER 57 - Molly
  62. CHAPTER 58 - Rita
  63. CHAPTER 59 - Molly
  64. CHAPTER 60 - Rita
  65. CHAPTER 61 - Molly
  66. CHAPTER 62 - Rita
  67. CHAPTER 63 - Rita
  68. CHAPTER 64 - Molly
  69. CHAPTER 65 - Rita
  70. CHAPTER 66 - Molly
  71. CHAPTER 67 - Rita
  72. CHAPTER 68 - Molly
  73. CHAPTER 69 - Rita
  74. CHAPTER 70 - Molly
  75. CHAPTER 71 - Rita
  76. CHAPTER 72 - Molly
  77. CHAPTER 73 - Rita
  78. CHAPTER 74 - Molly
  79. CHAPTER 75 - Rita
  80. CHAPTER 76 - Molly
  81. CHAPTER 77 - Rita
  82. CHAPTER 78 - Molly

The kitchen is full of people and the dog, quietly tripping over one another. Afraid to speak as if it would shatter a spell. Sniffles, shoes brushing the floor are the only sounds. I break the silence and reassure Mrs. Bradley’s family and friends that we’ll keep them informed. Then Joe and I head out into the cold and drive back to the station. News vans nearly clog the road as we approach, and all the lights are on in the building. No one’s going home tonight.

* * *

There’s no news on Ferris and nothing on the search as the big wall clock in the squad room passes midnight. I pour myself a sludgy cup of breakroom coffee and head to my office.

At four a.m., sitting in my office chair, I’m startled out of a light doze. My phone, clenched in my hand, is ringing and vibrating. I nearly drop it in my hurry to answer.

“He’s here,” a woman whispers. “He’s got a gun.”

I recognize her voice, sit up straight, instantly awake, adrenaline spiking. “Mrs. Ferris? Where is the house located?” She gives me the address before the call ends abruptly.

I rocket out of my chair, reciting the address under my breath, my heart thumping wildly. I blink my eyes in the glare of the squad room light. Joe has commandeered someone’s desk and is working on his laptop. He jumps up when he sees me. “What?”

“Let’s go! Ferris is at his wife’s parents’ place on the Cape.” I swing by Bob’s office and tell him what’s going on as we hurry by.

Inside a cruiser, I hit the GPS while Joe pulls into the street. It’ll take about an hour and twenty minutes to get there. I call for backup from local PD. They’ll arrive a lot quicker than we will, and we head to I-495 south.

* * *

The huge, gray clapboard house comes into view under a fancy streetlight. It’s right on the beach and got to be worth several millions. Cop cars are parked along the sandy road, their lights strobing through the morning darkness.

Joe and I exit our vehicle and are hit with damp, salty, frigid air. The crashing of waves in the distance lends an eerie backdrop to the scene. We hurry up the steps and enter through the unlocked front door. All the lights are on as we make our way to the kitchen. Several local uniformed officers are clustered there. One young female cop sits at the table with the Ferris boys, sleepy-eyed and scared, bowls of untouched cereal in front of them.

A sergeant peels off the crowd and leads us into a living room filled with furniture covered in off-white canvas slipcovers. Blue and green knickknacks cover the end tables, and magazines are fanned on the coffee table.