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Contents (71)
  1. Contents
  2. London—26 October 1940
  3. London—7 May 1945
  4. London—26 October 1940
  5. Bethnal Green—June 1944
  6. London—26 October 1940
  7. Kent—April 1944
  8. London—27 October 1940
  9. London—November 1940
  10. Kent—April 1944
  11. Golders Green—July 1944
  12. London—November 1940
  13. Kent—April 1944
  14. London—November 1940
  15. London—November 1940
  16. Oxford—April 2060
  17. Bletchley—November 1940
  18. Dulwich—Summer 1944
  19. London—November 1940
  20. Bletchley—December 1940
  21. Dulwich—Summer 1944
  22. London—December 1940
  23. Oxford—April 2060
  24. London—December 1940
  25. Saltram-on-Sea—December 1940
  26. London—December 1940
  27. London—December 1940
  28. London—29 December 1940
  29. St. Paul’s Cathedral—29 December 1940
  30. St. Paul’s Cathedral—29 December 1940
  31. Ludgate Hill—29 December 1940
  32. Blackfriars Tube Station—29 December 1940
  33. St. Paul’s Cathedral—29 December 1940
  34. The City—29 December 1940
  35. St. Bartholomew’s Hospital—30 December 1940
  36. St. Paul’s Cathedral—30 December 1940
  37. Croydon—October 1944
  38. London—Winter 1941
  39. London—Winter 1941
  40. Croydon—October 1944
  41. London—Winter 1941
  42. London—7 May 1945
  43. London—Winter 1941
  44. London—Winter 1941
  45. London—Winter 1941
  46. London—Winter 1941
  47. Kent—April 1944
  48. Imperial War Museum, London—7 May 1995
  49. Dover—April 1944
  50. Imperial War Museum, London—7 May 1995
  51. Wales—May 1944
  52. London—Spring 1941
  53. London—May 1944
  54. London—Spring 1941
  55. Imperial War Museum, London—7 May 1995
  56. Kent—June 1944
  57. Imperial War Museum, London—7 May 1995
  58. Kent—October 1944
  59. London—Spring 1941
  60. Croydon—October 1944
  61. London—Spring 1941
  62. London—Spring 1941
  63. London—Spring 1941
  64. Imperial War Museum, London—7 May 1995
  65. London—19 April 1941
  66. London—19 April 1941
  67. Imperial War Museum, London—7 May 1995
  68. London—7 May 1945
  69. London—19 April 1941
  70. ACKNOWLEDGMENTS
  71. ABOUT THE AUTHOR

She tried to smile through her disappointment.

“But you were the salvation of my corporeal being as well. That night when first I saw you—”

“There you are,” the nurse said to Polly, flinging the door open. “I’ve been looking for you everywhere. You’re supposed to be in bed.”

“This young lady saved my life,” Sir Godfrey said. “I was thanking her for—”

Another nurse appeared, looking fierce. “Sir Godfrey is not to have visitors,” she said to Polly’s nurse.

“Please, I only need another moment,” Polly said.

“Who’s this?” Sir Godfrey’s nurse demanded of Polly’s nurse. “A patient? What’s she doing out of bed? Why weren’t you watching her?”

Polly’s nurse looked defensive. “She got out of bed without my permission, and—”

“Silence!” Sir Godfrey shouted. “Begone, varlets. I would speak with this lady.” But Sir Godfrey’s nurse wasn’t impressed.

“Take this patient back down to her ward immediately,” she said to Polly’s nurse.

“Please,” Polly said. “You don’t understand—”

“Help!” a voice called from the end of the ward. “Oh, help!”

Binnie! Polly thought. Thank heavens.

“Come quick!” Binnie sobbed. “My mum’s bleedin’. Hurry!”

Both nurses took off at a run.

“Quick,” Polly said, gripping the railing at the foot of the bed with both hands. “Tell me how I saved your life.”

He nodded. “That night you stumbled into St. George’s, I had received a letter from an old friend of mine, offering me a role in a repertory company. It was to tour the provinces—Salisbury, Bristol, Plymouth. It was a dreadful program, no Shakespeare at all. Barrie, Galsworthy, Charley’s Aunt”—he grimaced—“and rep is even worse than pantomime. But all the theaters in the West End were shut, and it would have been a chance to get away from London and the bombs. And it scarcely mattered which play I did, or where. It was all for naught, ‘full of sound and fury, signifying nothing.’ ”

We haven’t got time for you to do Macbeth, Polly thought desperately. They’ll be back any minute.

“And then you came, and I knew that was a lie. That beauty, courage, meaning still lived.”

“What’s the meaning of this?” Polly heard Sir Godfrey’s nurse shout from the end of the corridor. “Children aren’t allowed up here.”

“And then,” he said, “when you knew your lines, I realized I could not possibly leave.”

“Come back here, you wretched child!” the nurse shouted, but Polly scarcely heard her.

“The next morning,” Sir Godfrey said, “I wrote to him, turning his offer down.”

Polly waited, afraid to speak, afraid to breathe.

“The theater in Bristol was bombed during the second act of Sentimental Tommy. A direct hit. The entire company was killed.”

Miranda: What foul play had we that we came from
thence? Or blessed was’t we did?

Prospero: Both, both.

—WILLIAM SHAKESPEARE, THE TEMPEST

London—Spring 1941

IT TOOK THE STAFF OF THE HOSPITAL ANOTHER QUARTER of an hour to apprehend Alf and Binnie, during which time Polly was able to assure Sir Godfrey again that yes, she’d do the pantomime if he could find another theater to put it on in, hurry back down to the ward, divest herself of the Chinese robe, climb into bed, and be lying there looking nearly as innocent as Alf and Binnie did when they were dragged in by the scruff of their necks.