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Contents ( 71)
  1. Contents
  2. London—26 October 1940
  3. London—7 May 1945
  4. London—26 October 1940
  5. Bethnal Green—June 1944
  6. London—26 October 1940
  7. Kent—April 1944
  8. London—27 October 1940
  9. London—November 1940
  10. Kent—April 1944
  11. Golders Green—July 1944
  12. London—November 1940
  13. Kent—April 1944
  14. London—November 1940
  15. London—November 1940
  16. Oxford—April 2060
  17. Bletchley—November 1940
  18. Dulwich—Summer 1944
  19. London—November 1940
  20. Bletchley—December 1940
  21. Dulwich—Summer 1944
  22. London—December 1940
  23. Oxford—April 2060
  24. London—December 1940
  25. Saltram-on-Sea—December 1940
  26. London—December 1940
  27. London—December 1940
  28. London—29 December 1940
  29. St. Paul’s Cathedral—29 December 1940
  30. St. Paul’s Cathedral—29 December 1940
  31. Ludgate Hill—29 December 1940
  32. Blackfriars Tube Station—29 December 1940
  33. St. Paul’s Cathedral—29 December 1940
  34. The City—29 December 1940
  35. St. Bartholomew’s Hospital—30 December 1940
  36. St. Paul’s Cathedral—30 December 1940
  37. Croydon—October 1944
  38. London—Winter 1941
  39. London—Winter 1941
  40. Croydon—October 1944
  41. London—Winter 1941
  42. London—7 May 1945
  43. London—Winter 1941
  44. London—Winter 1941
  45. London—Winter 1941
  46. London—Winter 1941
  47. Kent—April 1944
  48. Imperial War Museum, London—7 May 1995
  49. Dover—April 1944
  50. Imperial War Museum, London—7 May 1995
  51. Wales—May 1944
  52. London—Spring 1941
  53. London—May 1944
  54. London—Spring 1941
  55. Imperial War Museum, London—7 May 1995
  56. Kent—June 1944
  57. Imperial War Museum, London—7 May 1995
  58. Kent—October 1944
  59. London—Spring 1941
  60. Croydon—October 1944
  61. London—Spring 1941
  62. London—Spring 1941
  63. London—Spring 1941
  64. Imperial War Museum, London—7 May 1995
  65. London—19 April 1941
  66. London—19 April 1941
  67. Imperial War Museum, London—7 May 1995
  68. London—7 May 1945
  69. London—19 April 1941
  70. ACKNOWLEDGMENTS
  71. ABOUT THE AUTHOR

“But it’s not Barrie either, which is a point in its favor, and some parts were very amusing. I quite liked your air-raid alerts, and apparently I was not alone. I’d hoped to catch you afterward at the stage door, but there was such a throng I realized I could not possibly compete, and decided to wait and take a more direct approach.”

He smiled at her, and she realized how much she’d missed him, how much she’d longed to tell him about ENSA and the shows.

But she couldn’t. She shouldn’t even be sitting here chatting with him. “Did you have a reason for coming, Sir Godfrey?” she asked briskly. “I’m afraid I haven’t much time, I need to change—”

“Of course. I shall come directly to the point. I am here to ask your assistance with a theatrical endeavor Mrs. Wyvern and I are currently putting together.”

“Mrs. Wyvern?”

“Yes. You may remember her determination to rebuild St. George’s and to aid the children of the East End who’ve lost their parents in the Blitz, or as she refers to them, ‘our poor, sad, helpless war orphans.’ To that end, she has determined on a benefit to aid both her ends. A theatrical production—”

“Oh, dear,” Polly said. “Not Peter Pan, I hope?”

“Worse. A pantomime.”

She couldn’t help smiling. “But aren’t pantomimes usually acted at Christmastime?”

“They are—a point I made several times in attempting to dissuade her, but Mrs. Wyvern is an extremely formidable woman. An amalgam of Lady Macbeth and—”

“Julius Caesar?”

“A German panzer,” he said grimly. “She is impossible to stand against. It’s a pity she’s not in command of the Army. We’d have defeated Hitler already. In any case, I find myself forced to play the Bad Fairy in Sleeping Beauty. Which is why I’ve come. I wish to enlist you in our enterprise. The others of our little band have already agreed to participate. The rector and Mrs. Brightford are to be Sleeping Beauty’s parents, Miss Laburnum the Good Fairy, and Nelson the Good Fairy’s dog. I want you for the lead.”

“Sleeping Beauty?”

“Great God, no! All she does is lie there for three acts, waiting to be rescued. A bolster could play the role. Or a film actress. Mrs. Wyvern is attempting to recruit one as we speak.”

“A bolster?”

He smiled. “No. A film actress. Madeleine Carroll, perhaps, or Vivien Leigh. I want you to be the principal boy.”

“Principal boy?”

He nodded. “Sleeping Beauty’s prince. The male lead in pantomime is always played by a girl, and the prince is quite the best role in the play—except for mine, which is rife with Teutonic shouting and violet smoke. You will get to wave a sword about and wear a plumed hat and substantially more clothes than you do as Air-Raid Adelaide. Come, say you’ll do it.”

“But surely there are lots of other people you could get, like Lila—”

“She’s joined the WAAF.”

“Oh. Well, Mrs. Brightford, then. Or Vivien Leigh. I’m certain she’d rather play the prince than a bolster.”