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Chapters (63)
  1. Cover
  2. Praise for All About Us
  3. About the Author
  4. Note to Readers
  5. Dedication
  6. Prologue
  7. Chapter One
  8. Chapter Two
  9. Chapter Three
  10. Chapter Four
  11. Chapter Five
  12. Chapter Six
  13. Chapter Seven
  14. Chapter Eight
  15. Chapter Nine
  16. Chapter Ten
  17. Chapter Eleven
  18. Chapter Twelve
  19. Chapter Thirteen
  20. Chapter Fourteen
  21. Chapter Fifteen
  22. Chapter Sixteen
  23. Chapter Seventeen
  24. Chapter Eighteen
  25. Chapter Nineteen
  26. Chapter Twenty
  27. Chapter Twenty-One
  28. Chapter Twenty-Two
  29. Chapter Twenty-Three
  30. Chapter Twenty-Four
  31. Chapter Twenty-Five
  32. Chapter Twenty-Six
  33. Chapter Twenty-Seven
  34. Chapter Twenty-Eight
  35. Chapter Twenty-Nine
  36. Chapter Thirty
  37. Chapter Thirty-One
  38. Chapter Thirty-Two
  39. Chapter Thirty-Three
  40. Chapter Thirty-Four
  41. Chapter Thirty-Five
  42. Chapter Thirty-Six
  43. Chapter Thirty-Seven
  44. Chapter Thirty-Eight
  45. Chapter Thirty-Nine
  46. Chapter Forty
  47. Chapter Forty-One
  48. Chapter Forty-Two
  49. Chapter Forty-Three
  50. Chapter Forty-Four
  51. Chapter Forty-Five
  52. Chapter Forty-Six
  53. Chapter Forty-Seven
  54. Chapter Forty-Eight
  55. Chapter Forty-Nine
  56. Chapter Fifty
  57. Epilogue
  58. Acknowledgements
  59. Author Q&A with Tom Ellen
  60. Extract
  61. Will
  62. Will
  63. About the Publisher

Our poky little college bar, the run-down Kwiksave, the cocky squads of ducks that waddle up from the lake to shit on the walkways; all of them appear as we sprint past, as if daring me to doubt how real this is.

Because it clearly is. Real.

But still, as I chase Harv across the rickety red bridge by the English block, I feel almost like I’m watching this whole thing from above. Like it’s happening to someone else. Maybe that’s the best way to deal with it: forget the whys and the hows and the what-the-actual-fucks and just go with it until it’s over.

We finally stop running when we reach the Drama Barn – or the Drama Closet, as we rechristened it: a tiny fifty-seater venue right in the middle of campus. There’s already a line of people outside queuing to get in.

‘Fucking hell,’ Harv pants, mopping his forehead with his sleeve. ‘I need to start doing more exercise.’ He nods at the entrance. ‘Well, go on then, dickhead. Break a leg and all that. I’ll see you afterwards.’

Still on autopilot, I walk past the queue and approach the bloke sitting by the main door, taking tickets. I vaguely remember him; a second-year, I think, fully kitted out in the unofficial Drama Soc uniform of black turtleneck, black jeans, black trainers.

‘Sorry I’m late,’ I tell him. ‘Can I, erm … come in? I’m in the play.’

He grunts but doesn’t look up from his phone. ‘What’s your name?’

‘Ben Hazeley.’

He starts scanning a list on the table in front of him. ‘Any relation to Patrick Hazeley?’

And even in my stupefied state, I still feel it. The sense that I’ve been instantly reduced to a little kid; that I exist only as a footnote in the life of a man I barely know.

‘Yeah, he’s my dad.’

The second-year looks up at me; I’m suddenly interesting enough to warrant his full attention. Interesting by birth. Interesting by proxy. ‘Shit, is he really your old man?’ he says. ‘I love his stuff. Seriously, Earth Weight was the first play I ever saw. Fucking … brutal. Incredible writing.’

‘Yeah,’ I say.

He moves aside to let me through. ‘Good luck anyway, mate. See you after, probably.’

I slink into the venue, which is still dark and empty at this point. I remember that the dressing room is right at the back, but I feel like I need a few minutes alone before I have to do any more actual interacting, so I duck into the little toilet behind the lighting rig.